Biografía:
Taking Back Sunday comenzó en noviembre de 1999 tomando como referencia a bandas de hardcore punk como Lifetime y Endpoint y el emo que creó Sunny Day Real Estate. Sin embargo, su primer material no vería la luz hasta 2001, año en que lanzan su primer EP autotitulado Taking Back Sunday, al que le seguiría Lullaby EP. Después, la banda estaría de gira por el país con bandas ya consagradas como At the Drive-In y Alkaline Trio. Durante los comienzos, y en los años siguientes, la banda sufrió cambios en su formación.
Read more on Last.fm
Otras canciones:
- A Decade Under The Influence
- A Decade Under The Influence (fixed)
- Call Me In The Morning
- Cute Without The 'e' (simple Version)
- Cute Without The E
- Ghost Man On Third
- Just Like Heaven
- Makedamnsure
- My Blue Heaven
- New American Classic
- Slowdance On The Inside
- This Photograph Is Proof
- Waffle Song
- You're So Last Summer
- 12 Days Of Christmas
- All Ready To Go
- Beat Up Car
- Belgium Waffles Song
- Best Places To Be A Mom
- Better Homes And Gardens
- Bike Scene
- Capital M
- Cut Me Up Jenny
- Cute Without The E Cut From The Team
- Didnt See That Coming
- Divine Intervention
- Faith When I Let You Down
- Flicker Fade
- Great Romances Of The 20Th Century
- Little Devotional
- Make Damn Sure
- Nothing At All
- Number Five With A Bullet
- Sad Savior
- Sink Into Me
- Stood A Chance
- Swing
- The Bird You Cannot Change
- Theres No I In Team
- This Is All Now
- Tidal Wave
- Twenty
- We All Love Our Pets
- Whats It Feel Like To Be A Ghost
- Where My Mouth Is
- You Cant Look Back
- You Got Me
- You Know How I Do
- Your Own Disaster
- Youre So Last Summer
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Note that this song is in half-step down tuning. It's not gonna sound right if
you're playing it with the song in standard tuning.
These are the chord voicings I used when transposing:
A2: X02200
B: X24400
G#m: X66400
D: XX0232
F#m: X44200
* The asterisk signifies this little riff:
eb|-----------------------------------------------|
Bb|-----------------------------------------------|
Gb|-----------------------------------------------|
Db|--7-7-77-6-------------------------------------|
Ab|--7-7-77-7-------------------------------------|
Eb|-----------------------------------------------|
but I included the chords in case you didn't wanna play it. So if you play this
riff, don't worry about the A2 and G#m after "calling me out".
Okay, I'm done yapping! Enjoy!
Intro: A2 B G#m A2 2x
A2 B G#m A2
Despondent, distracted, you're vicious and romantic
B G#m A2
These are a few of my favorite things.
B G#m A2
All of those flavors, and this is what you choose,
B G#m A2
Past the blues, past the blues, and onto something new
D B
Something real, make it timeless
A G#m F#m
An act of God and nothing less will be accepted.
* A2 G#m
So if you're calling me out,
Then count me out.
Interlude: A2 B G#m A2 2x
N.C. A2 B
Yeah, we're stubborn and melodramatic
G#m A2
A real class act.
B G#m A2
You see, I know a few of your favorite things...
(N.C.)
A2 B G#m A2
Five in the morning, it all comes out pouring, love,
B G#m A2
out the same way in.
D B
Something real, make it timeless
A G#m F#m
An act of God and nothing less will be accepted.
* A2 G#m
Well if you're calling me out,
Then count me out.
Break: A2 B G#m A2 4x
D B
Something real, make it timeless
A G#m F#m
An act of God and nothing less will be accepted.
D B
I said, real, make it timeless.
A G#m F#m
An act of God and nothing less will be accepted.
* A2 G#m
And if you're calling me out....
A2 B G#m A2
...Then count me out.
A2 B G#m A2
you're playing it with the song in standard tuning.
These are the chord voicings I used when transposing:
A2: X02200
B: X24400
G#m: X66400
D: XX0232
F#m: X44200
* The asterisk signifies this little riff:
eb|-----------------------------------------------|
Bb|-----------------------------------------------|
Gb|-----------------------------------------------|
Db|--7-7-77-6-------------------------------------|
Ab|--7-7-77-7-------------------------------------|
Eb|-----------------------------------------------|
but I included the chords in case you didn't wanna play it. So if you play this
riff, don't worry about the A2 and G#m after "calling me out".
Okay, I'm done yapping! Enjoy!
Intro: A2 B G#m A2 2x
A2 B G#m A2
Despondent, distracted, you're vicious and romantic
B G#m A2
These are a few of my favorite things.
B G#m A2
All of those flavors, and this is what you choose,
B G#m A2
Past the blues, past the blues, and onto something new
D B
Something real, make it timeless
A G#m F#m
An act of God and nothing less will be accepted.
* A2 G#m
So if you're calling me out,
Then count me out.
Interlude: A2 B G#m A2 2x
N.C. A2 B
Yeah, we're stubborn and melodramatic
G#m A2
A real class act.
B G#m A2
You see, I know a few of your favorite things...
(N.C.)
A2 B G#m A2
Five in the morning, it all comes out pouring, love,
B G#m A2
out the same way in.
D B
Something real, make it timeless
A G#m F#m
An act of God and nothing less will be accepted.
* A2 G#m
Well if you're calling me out,
Then count me out.
Break: A2 B G#m A2 4x
D B
Something real, make it timeless
A G#m F#m
An act of God and nothing less will be accepted.
D B
I said, real, make it timeless.
A G#m F#m
An act of God and nothing less will be accepted.
* A2 G#m
And if you're calling me out....
A2 B G#m A2
...Then count me out.
A2 B G#m A2
Talking Heads
Tall Like Tyrion
Tallest Man On E (...)
Tally Hall
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