Biografía:
Suzanne Vega, cantante y compositora, nació el 11 de julio de 1959 en Santa Mónica, Los Ángeles, California.
A los dos años de edad, se trasladó con su familia a Nueva York. Se crió en el barrio hispano de Harlem; a los nueve años escribió su primer poema y con catorce empezó a componer canciones. Cursó estudios de danza contemporánea y frecuentó los clubes de Greenwich Village mientras asistía a clases de literatura en la escuela de arte Barnard College.
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Otras canciones:
- Marlene On The Wall
- Tom's Diner
- Angels Doorway
- Bad Wisdom
- Caramel
- Fools Complaint
- Frank Ava
- Frank Eva
- Freeze Tag
- Gypsy
- I Never Wear White
- In Liverpool
- Ironboundfancy Poultry
- Knight Moves
- Language
- Left Of Center
- Luka
- New York Is A Woman
- Night Vision
- Ny Is A Woman
- Penitent
- Pornographers Dream
- Queen And The Soldier
- Rock In This Pocket
- Rosemary
- Small Blue Thing
- Solitude Standing
- Songs In Red And Gray
- Straight Lines
- The Man Who Played God
- Toms Diner
- Undertow
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Capo on 1st fret
Am Dm
She's a pornographer's dream, he said I knew what he meant.
E7
But it made me imagine: what kind of a dream
Am
He would have, that hadn't been spent?
Am
Would he still dream of the thigh? of the flesh upon high?
Dm
What he saw so much of?
E7
Wouldn't he dream of the thing that he never
Am
Could quite get the touch of?
F G
It's out of his hands, over his head
A Am
Out of his reach, under this real life
F G
Hidden in veils, covered in silk
A
He's dreaming of what might be
F G
Out of his hands, over his head
A Am
Out of his reach, under this real life
F G
Hidden in veils, He's dreaming of mystery.
Am
Bettie Page is still the rage
Dm
With her legs and leather;
E7 Am
She turns to tease the camera, and please us at home,
And we let her.
Am Dm
Who's to know what she'll show of herself, in what measure?
E7
If what she reveals, or what she conceals,
Am
Is the key to our pleasure?
F G
It's out of our hands, over our heads
A A7
Out of our reach, under this real life
F G
Hidden in veils, covered in silk
A
We're dreaming of what might be
F G
It's out of our hands, over our heads
A A7
Out of our reach, under this real life
F G A
Hidden in veils We're dreaming of mystery.
Am Dm
She's a pornographer's dream, he said I knew what he meant.
E7
But it made me imagine: what kind of a dream
Am
He would have?
-END-
Enjoy playing. :)
Am Dm
She's a pornographer's dream, he said I knew what he meant.
E7
But it made me imagine: what kind of a dream
Am
He would have, that hadn't been spent?
Am
Would he still dream of the thigh? of the flesh upon high?
Dm
What he saw so much of?
E7
Wouldn't he dream of the thing that he never
Am
Could quite get the touch of?
F G
It's out of his hands, over his head
A Am
Out of his reach, under this real life
F G
Hidden in veils, covered in silk
A
He's dreaming of what might be
F G
Out of his hands, over his head
A Am
Out of his reach, under this real life
F G
Hidden in veils, He's dreaming of mystery.
Am
Bettie Page is still the rage
Dm
With her legs and leather;
E7 Am
She turns to tease the camera, and please us at home,
And we let her.
Am Dm
Who's to know what she'll show of herself, in what measure?
E7
If what she reveals, or what she conceals,
Am
Is the key to our pleasure?
F G
It's out of our hands, over our heads
A A7
Out of our reach, under this real life
F G
Hidden in veils, covered in silk
A
We're dreaming of what might be
F G
It's out of our hands, over our heads
A A7
Out of our reach, under this real life
F G A
Hidden in veils We're dreaming of mystery.
Am Dm
She's a pornographer's dream, he said I knew what he meant.
E7
But it made me imagine: what kind of a dream
Am
He would have?
-END-
Enjoy playing. :)
Swedish House Ma (...)
Sweet
Sweet Thing
Swiss Army Man
Switchfoot