Biografía:
Suzanne Vega, cantante y compositora, nació el 11 de julio de 1959 en Santa Mónica, Los Ángeles, California.
A los dos años de edad, se trasladó con su familia a Nueva York. Se crió en el barrio hispano de Harlem; a los nueve años escribió su primer poema y con catorce empezó a componer canciones. Cursó estudios de danza contemporánea y frecuentó los clubes de Greenwich Village mientras asistía a clases de literatura en la escuela de arte Barnard College.
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Otras canciones:
- Marlene On The Wall
- Tom's Diner
- Angels Doorway
- Bad Wisdom
- Caramel
- Fools Complaint
- Frank Ava
- Frank Eva
- Freeze Tag
- Gypsy
- I Never Wear White
- In Liverpool
- Ironboundfancy Poultry
- Knight Moves
- Language
- Left Of Center
- Luka
- New York Is A Woman
- Night Vision
- Ny Is A Woman
- Penitent
- Pornographers Dream
- Queen And The Soldier
- Rock In This Pocket
- Rosemary
- Small Blue Thing
- Solitude Standing
- Songs In Red And Gray
- Straight Lines
- The Man Who Played God
- Toms Diner
- Undertow
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Intro: E G Am C x3
E G Am
C E G Am
I never wear white
C E G Am
White is for virgins
C E G Am
Children in summer
C E G Am
Brides in the park.
C E G Am
My color is black black black
C E G Am
Black is for secrets
C E G Am
Outlaws and dancers
C E G Am
For the poet in the dark.
Interlude:
(from the E on, this part is played half muted till the last Cmaj7 - you could use power
chords, but I found
these variations sounded better and closer to the original song)
C E Dsus2
Black is the truth
Cmaj7 Am7
Of my situation.
E
And for those of my station
Dsus2 Cmaj7 Am7
In life. All other colors lie.
Solo: E G Am C x3
E G Am
C E G Am
I never wear white
C E G Am
White is too blinding
C E G Am
Always reminding
C E G Am
Of the innocent who fall
C E G Am
My color is black black black
C E G Am
For the crone, and the bastard
C E G Am
The schoolgirl in uniform
C E G Am
The servant in the hall.
Interlude:
C E Dsus2
Black is the truth
Cmaj7 Am7
Of my situation.
E
And for those of my station
Dsus2 Cmaj7 Am7
In life. All other colors lie.
E Dsus2
My color is black black black
Cmaj7 Am7
Like the gangster and widow
E Dsus2
It's the shade and the shadow
Cmaj7 Am7
It's the depth into your eye
Solo: E G Am C x3
C E G Am C E G Am
My color is black black black black black
Outro:
C E G Am C E G Am C E G Am C E
(last E is hammered on half muted as in interlude for a full measure)
Please note:
I know these tabs are not 100% correct, but might give you an idea to play around with,
like playing C H A G
single stringed when changing from interlude to verse/solo (which is also done in the
original song), etc. Most
of this I found out watching the video of an acoustic live performance.
E G Am
C E G Am
I never wear white
C E G Am
White is for virgins
C E G Am
Children in summer
C E G Am
Brides in the park.
C E G Am
My color is black black black
C E G Am
Black is for secrets
C E G Am
Outlaws and dancers
C E G Am
For the poet in the dark.
Interlude:
(from the E on, this part is played half muted till the last Cmaj7 - you could use power
chords, but I found
these variations sounded better and closer to the original song)
C E Dsus2
Black is the truth
Cmaj7 Am7
Of my situation.
E
And for those of my station
Dsus2 Cmaj7 Am7
In life. All other colors lie.
Solo: E G Am C x3
E G Am
C E G Am
I never wear white
C E G Am
White is too blinding
C E G Am
Always reminding
C E G Am
Of the innocent who fall
C E G Am
My color is black black black
C E G Am
For the crone, and the bastard
C E G Am
The schoolgirl in uniform
C E G Am
The servant in the hall.
Interlude:
C E Dsus2
Black is the truth
Cmaj7 Am7
Of my situation.
E
And for those of my station
Dsus2 Cmaj7 Am7
In life. All other colors lie.
E Dsus2
My color is black black black
Cmaj7 Am7
Like the gangster and widow
E Dsus2
It's the shade and the shadow
Cmaj7 Am7
It's the depth into your eye
Solo: E G Am C x3
C E G Am C E G Am
My color is black black black black black
Outro:
C E G Am C E G Am C E G Am C E
(last E is hammered on half muted as in interlude for a full measure)
Please note:
I know these tabs are not 100% correct, but might give you an idea to play around with,
like playing C H A G
single stringed when changing from interlude to verse/solo (which is also done in the
original song), etc. Most
of this I found out watching the video of an acoustic live performance.
Swedish House Ma (...)
Sweet
Sweet Thing
Swiss Army Man
Switchfoot