Biografía:
Spoon es una banda de rock alternativo de Austin, Texas formada en el año 1994. Melodías tarareables y mágicas, inspiradas en la tradición folk-rock-pop norteamericana, sobre estructuras instrumentales alejadas de lo típico. Canciones compuestas y producidas de manera limpia, arriesgada y creativa. Todo el que haya escuchado con cierta minuciosidad el catálogo editado en los noventa por sellos como Matador, Big Cat, Merge o Spin Art sabrá de lo que se está hablando.
Read more on Last.fm
Otras canciones:
- Black Like Me
- Do You
- Underdog
- Way We Get By
- You Got Yr. Cherry Bomb
- Anything You Want
- Back To The Life
- Beast And Dragon Adored
- Before Destruction
- Book I Write
- Can I Sit Next To You
- Chicago At Night
- Chips And Dip
- Do I Have To Talk You Into It
- Dont Let It Get You Down
- Eddies Ragga
- Everything Hits At Once
- Finer Feelings
- First Caress
- Goodnight Laura
- I Aint The One
- I Just Dont Understand
- I Summon You
- I Turn My Camera On
- In The Right Place The Right Time
- Inside Out
- Jealousy
- Jonathan Fisk
- Knock Knock Knock
- Laffitte Dont Fail Me Now
- Leave Your Effects Where Theyre Easily Seen
- Let Me Be Mine
- Lines In The Suit
- Mean Mad Margaret
- Memori Sekuntum Rindu
- My Mathematical Mind
- Nefarious
- Out Go The Lights
- Rainy Taxi
- Rent I Pay
- Rhythm And Soul
- Rindu Serindu Rindunya
- Run Through The Jungle
- Sister Jack
- Something To Look Forward To
- Tear It Down
- The Agony Of Lafitte
- The Mystery Zone
- The Underdog
- The Way We Get By
- They Want My Soul
- Trouble Comes Running
- Upwards At 45 Degrees
- Utilitarian
- Whisperilllistentohearit
- You Get Yours
- You Got Yr Cherry Bomb
- You Gotta Feel It
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Artist: Spoon
Song: Chicago at Night
Album: Girls Can Tell
Tuning: Standard
Audio: https://www.youtube.com/watch?v=wGg7HRujvKw
Notes:
- This is not really a strumming song. I play something like
what I've provided as "Pattern for verses", but make it your own.
- The intro tab combines the organ and guitar fill.
- There are some intentional F# mixed in there to match the melody.
- Possible substitutions: F#m for F#5, D for Dmaj7, Dm for Dm(maj7)
- The F#m(maj7) is a strange chord. Play it and the A/E with a
roll for a better sound than a strum.
- Studio recording ends with a slide from 1 to 7 on D string
A5 577xxx
A/E 0422xx
B7 x2120x
Bsus2 x24422
C#5 x466xx
D5 xx023x
Dmaj7 xx0222
Dm(maj7) xx0221
F#5 244xxx
F#m(maj7) 24322x
F# 2443xx
[Intro]
> > > >
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|------------------------------------------------------|
B|------------------------------------------------------|
G|------------------------------------------------------|
D|--7--7--7--7--7--7--7--7--7--7--7--9h10p9--9h10p9--7--|
A|--9--9--9--9--9--9--9--9--8--8--8--8-------8-------8--|
E|------------------------------------------------------|
> > > >
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|
D|--7--7--7--7--7--7--------6--6--6--6--6-----------|
A|--7--7--7--7--7--74---//6--6--6--6--6-----------|
E|-----------------------------------------0--2--4--|
^ Use 7s on the D string for a twist
[Patterns for verses]
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|--------------------------------------------------|
B|--------------------------------------------------|
G|-------------6----------------------2-------------|
D|-----7-----6-6-------4-------4-----3------3-3-----|
A|---7-7-0-4---------4-4-------4----4-------4-4-----|
E|-5-------------0-2-----2---2---2-2------2-----2-4-|
Now when ... ... wall and she
woke ... ... pall and all
night the rain ... down but then
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|------------------------------------------------------------------------|
B|-------------------------------------------------------0-0-0-0-0-0-0-0--|
G|-----------------------2-------2---------2-------2-----2-2-2-2-2-2-2-2--|
D|-----4-------4---------3-------3---------2-------2-----1-1-1-1-1-1-1-1--|
A|---4-4-------4-------4-----------------4---------------2-2-2-2-2-2-2-2--|
E|-2-----2---2---2---2-----2---2---2---0-----0---0---0--------------------|
Chicago .. b 4 the fall & it don't .. not at all and it
falls all around in the city hits .. ground and now
[Verse 1]
A5 C#5 F#5 F#m(maj7)
Now when she went to Chicago that night, she faced a wall
A5 C#5 F#5 F#m(maj7)
And she woke up outside with all those leaves in her mouth and felt the pall
A5 C#5 F# F#m(maj7)
And all night the rain came on down
A5 C#5 F#5 F#m(maj7)
But then she'd never been to Chicago at night before the fall
A/E B7
And it don't stop, not at all
F#5 F#m(maj7) A/E B7
It falls all around in the city, hits the ground
[Chorus]
D5 Bsus2
And now everybody's at disadvantage
Dmaj7 D Dm(maj7) Dm
Speaking with their second language
[Verse 2]
A5 C#5 F#5 F#m(maj7)
And she'd never been there before they went and set up the wall
A5 C#5 F#5 F#m(maj7)
And though nobody expected much from this reinvention
A5 C#5 F# F#m(maj7)
She still broke right down after all
A5 C#5 F#5 F#m(maj7)
Because she knew that it was all over and we'd hit a wall
A/E B7
And like the fall, this was all
F#5 F#m(maj7) A/E B7
Now it's all around - in the city, on the ground
[Chorus]
D5 Bsus2
And now everybody's at disadvantage
Dmaj7 D Dm(maj7) Dm F#5
Speaking with their second language
[Interlude]
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e-|-----------------------------------------------------------------|
B-|-----------------------------------------------------------------|
G-|-----------------------------------------------------------------|
D-|-----------------------------------------------------------------|
A-|-4-4---4---4-----4-4---4---4-----4-4---4---4-----4-4---4---4-----|
E-|-2-2-0-2---2---0-2-2-0-2---2---0-2-2-0-2---2---0-2-2-0-2---2-2-4-|
[Outro]
A5 C#5 F#5 F#m(maj7)
And I never been to the wall
A5 C#5 F#5 F#m(maj7)
Never been to the wall Never been to the wall
A5 C#5 F#5 F#m(maj7)
Never been to the wall
A5 C#5 F#5 F#m(maj7)
Never been to the wall Never been to the wall
A5 C#5 F#5 F#m(maj7) A/E B7
Never been to the wall
[Chorus Riff]
e-|----------------------------------|
B-|-2/7--9-10-----9-10-----9-10------|
G-|------------10--------9-------8---|
D-|----------------------------------|
A-|----------------------------------|
E-|----------------------------------|
************************************
| x Dead note
| h Hammer-on
| p Pull-off
| Slide down
| / Slide up
| d Down stroke (above tabs)
| u Up stroke (above tabs)
| > Accent (above tabs)
************************************
Song: Chicago at Night
Album: Girls Can Tell
Tuning: Standard
Audio: https://www.youtube.com/watch?v=wGg7HRujvKw
Notes:
- This is not really a strumming song. I play something like
what I've provided as "Pattern for verses", but make it your own.
- The intro tab combines the organ and guitar fill.
- There are some intentional F# mixed in there to match the melody.
- Possible substitutions: F#m for F#5, D for Dmaj7, Dm for Dm(maj7)
- The F#m(maj7) is a strange chord. Play it and the A/E with a
roll for a better sound than a strum.
- Studio recording ends with a slide from 1 to 7 on D string
A5 577xxx
A/E 0422xx
B7 x2120x
Bsus2 x24422
C#5 x466xx
D5 xx023x
Dmaj7 xx0222
Dm(maj7) xx0221
F#5 244xxx
F#m(maj7) 24322x
F# 2443xx
[Intro]
> > > >
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|------------------------------------------------------|
B|------------------------------------------------------|
G|------------------------------------------------------|
D|--7--7--7--7--7--7--7--7--7--7--7--9h10p9--9h10p9--7--|
A|--9--9--9--9--9--9--9--9--8--8--8--8-------8-------8--|
E|------------------------------------------------------|
> > > >
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|
D|--7--7--7--7--7--7--------6--6--6--6--6-----------|
A|--7--7--7--7--7--74---//6--6--6--6--6-----------|
E|-----------------------------------------0--2--4--|
^ Use 7s on the D string for a twist
[Patterns for verses]
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|--------------------------------------------------|
B|--------------------------------------------------|
G|-------------6----------------------2-------------|
D|-----7-----6-6-------4-------4-----3------3-3-----|
A|---7-7-0-4---------4-4-------4----4-------4-4-----|
E|-5-------------0-2-----2---2---2-2------2-----2-4-|
Now when ... ... wall and she
woke ... ... pall and all
night the rain ... down but then
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e|------------------------------------------------------------------------|
B|-------------------------------------------------------0-0-0-0-0-0-0-0--|
G|-----------------------2-------2---------2-------2-----2-2-2-2-2-2-2-2--|
D|-----4-------4---------3-------3---------2-------2-----1-1-1-1-1-1-1-1--|
A|---4-4-------4-------4-----------------4---------------2-2-2-2-2-2-2-2--|
E|-2-----2---2---2---2-----2---2---2---0-----0---0---0--------------------|
Chicago .. b 4 the fall & it don't .. not at all and it
falls all around in the city hits .. ground and now
[Verse 1]
A5 C#5 F#5 F#m(maj7)
Now when she went to Chicago that night, she faced a wall
A5 C#5 F#5 F#m(maj7)
And she woke up outside with all those leaves in her mouth and felt the pall
A5 C#5 F# F#m(maj7)
And all night the rain came on down
A5 C#5 F#5 F#m(maj7)
But then she'd never been to Chicago at night before the fall
A/E B7
And it don't stop, not at all
F#5 F#m(maj7) A/E B7
It falls all around in the city, hits the ground
[Chorus]
D5 Bsus2
And now everybody's at disadvantage
Dmaj7 D Dm(maj7) Dm
Speaking with their second language
[Verse 2]
A5 C#5 F#5 F#m(maj7)
And she'd never been there before they went and set up the wall
A5 C#5 F#5 F#m(maj7)
And though nobody expected much from this reinvention
A5 C#5 F# F#m(maj7)
She still broke right down after all
A5 C#5 F#5 F#m(maj7)
Because she knew that it was all over and we'd hit a wall
A/E B7
And like the fall, this was all
F#5 F#m(maj7) A/E B7
Now it's all around - in the city, on the ground
[Chorus]
D5 Bsus2
And now everybody's at disadvantage
Dmaj7 D Dm(maj7) Dm F#5
Speaking with their second language
[Interlude]
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
e-|-----------------------------------------------------------------|
B-|-----------------------------------------------------------------|
G-|-----------------------------------------------------------------|
D-|-----------------------------------------------------------------|
A-|-4-4---4---4-----4-4---4---4-----4-4---4---4-----4-4---4---4-----|
E-|-2-2-0-2---2---0-2-2-0-2---2---0-2-2-0-2---2---0-2-2-0-2---2-2-4-|
[Outro]
A5 C#5 F#5 F#m(maj7)
And I never been to the wall
A5 C#5 F#5 F#m(maj7)
Never been to the wall Never been to the wall
A5 C#5 F#5 F#m(maj7)
Never been to the wall
A5 C#5 F#5 F#m(maj7)
Never been to the wall Never been to the wall
A5 C#5 F#5 F#m(maj7) A/E B7
Never been to the wall
[Chorus Riff]
e-|----------------------------------|
B-|-2/7--9-10-----9-10-----9-10------|
G-|------------10--------9-------8---|
D-|----------------------------------|
A-|----------------------------------|
E-|----------------------------------|
************************************
| x Dead note
| h Hammer-on
| p Pull-off
| Slide down
| / Slide up
| d Down stroke (above tabs)
| u Up stroke (above tabs)
| > Accent (above tabs)
************************************
Squallor
Squeeze
Squeezie
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Squirrel Nuts Zi (...)