Biografía:
Trece años después de su nacimiento como banda, Sloan no sólo siguen juntos, sino que además acaban de preparar una recopilación de sus mejores canciones. La fina ironía que envuelve el asunto no es que la banda no se lo merezca –siguen siendo tan aclamados y queridos como en sus comienzos –, sino que sólo unos pocos, quizás ni siquiera ellos mismos, pensaron que llegarían al año 2005 intactos y sin bajas en su formación original, además de enfrentarse al reto de editar una antología de sus singles.
Read more on Last.fm
Otras canciones:
- 500 Up
- All Of The Voices
- Autobiography
- Cant Face Up
- Coax Me
- Deeper Than Beauty
- Emergency 911
- Fade Away
- Flying High Again
- G Turns To D
- I Am The Cancer
- I Can Feel It
- I Love A Long Goodbye
- Im Not Through With You Yet
- Its In Your Eyes
- Ive Gotta Try
- Lines You Amend
- Money City Maniacs
- Nothing Left To Make Me Want To Stay
- Penpals
- People Of The Sky
- Raspberry
- Rest Of My Life
- Right To Roam
- Sugartune
- Take Good Care Of The Poor Boy
- The Good In Everyone
- The Other Man
- The Rest Of My Life
- Unkind
- Waiting For Slow Songs
- Whats There To Decide
- Who You Talkin To
- Will I Belong
- Witchs Wand
- Work Cut Out
- Youve Got A Lot On Your Mind
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
Date: Sun, 03 May 1998 15:02:00 GMT
From: Dale Cooper
Subject: s/sloan/raspberry.crd
RASPBERRY
(Ferguson/Pentland/Murphy/Scott)
intro: C Cm C Cm C Cm C Cm G
F G D
Look through the music, there's a dancing girl
F G D
She can be broken in your hands
F G F G
She knows you're looking at her, but that's what scares her
D
You're in the space that she commands
If she still likes you you might get a call
She'll ask you why you stood and stared
You will be hearing from her but that should scare you
If she still likes you be prepared
C Cm C Cm
Pardon me for calling but I'm just checking in
C Cm G
You don't know who I am but I know where you've been
C Cm C Cm
You sit and tap your fingers when you should tap your phone
C Cm G
Tap all your resources until she leaves you alone
G
She leaves you alone
SOLO:
F G F G
G|-------2--2---0--2-------------2--2--0---------------|
B|-3--1--------------0--0---3--1---------------3--1--3-|
E|-----------------------------------------0-----------|
F G F G F
G|-0--2--2---2---------------2---2--0----------------2-|
B|--------------0--0---3--1---------------3--1--3------|
E|-------------------------------------0---------------|
F G F G
The girl's got nothing on you but that's what bugs you
G D
'Cause you still let her get to you-hoo-hoo-oh-ho
C Cm C Cm
Pardon me for calling but I'm just checking in
C Cm C Cm
You don't know who I am but I know where you've been
C Cm C Cm
You sit and tap your fingers when you should tap your phone
C Cm G
Tap all your resources until she leaves you alone
G
She leaves you alone
F G F G
G|-------2--2---0--2-------------2--2--0---------------|
B|-3--1--------------0--0---3--1---------------3--1--3-|
E|-----------------------------------------0-----------|
F G F G
G|-0--2--2---2---------------2---2--0-----------------|
B|--------------0--0---3--1---------------3--1--3-----|
E|-------------------------------------0--------------|
G D (bend down to a C# and come
back up to D)
G|---------------------------------------|
B|----3--1--3----3--1--3----3--1--3----3-|
E|-0-----------0----------0--------------|
"Success as a result of industry is a peasant ideal." -Wallace
Stevens.
Angelo Badalamenti and David Lynch, Charles Bukowski, the
Beatles,Dylan Thomas, Kurt Vonnegut,
at http://www.mindspring.com/~stewarts/index.htm
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
Date: Sun, 03 May 1998 15:02:00 GMT
From: Dale Cooper
Subject: s/sloan/raspberry.crd
RASPBERRY
(Ferguson/Pentland/Murphy/Scott)
intro: C Cm C Cm C Cm C Cm G
F G D
Look through the music, there's a dancing girl
F G D
She can be broken in your hands
F G F G
She knows you're looking at her, but that's what scares her
D
You're in the space that she commands
If she still likes you you might get a call
She'll ask you why you stood and stared
You will be hearing from her but that should scare you
If she still likes you be prepared
C Cm C Cm
Pardon me for calling but I'm just checking in
C Cm G
You don't know who I am but I know where you've been
C Cm C Cm
You sit and tap your fingers when you should tap your phone
C Cm G
Tap all your resources until she leaves you alone
G
She leaves you alone
SOLO:
F G F G
G|-------2--2---0--2-------------2--2--0---------------|
B|-3--1--------------0--0---3--1---------------3--1--3-|
E|-----------------------------------------0-----------|
F G F G F
G|-0--2--2---2---------------2---2--0----------------2-|
B|--------------0--0---3--1---------------3--1--3------|
E|-------------------------------------0---------------|
F G F G
The girl's got nothing on you but that's what bugs you
G D
'Cause you still let her get to you-hoo-hoo-oh-ho
C Cm C Cm
Pardon me for calling but I'm just checking in
C Cm C Cm
You don't know who I am but I know where you've been
C Cm C Cm
You sit and tap your fingers when you should tap your phone
C Cm G
Tap all your resources until she leaves you alone
G
She leaves you alone
F G F G
G|-------2--2---0--2-------------2--2--0---------------|
B|-3--1--------------0--0---3--1---------------3--1--3-|
E|-----------------------------------------0-----------|
F G F G
G|-0--2--2---2---------------2---2--0-----------------|
B|--------------0--0---3--1---------------3--1--3-----|
E|-------------------------------------0--------------|
G D (bend down to a C# and come
back up to D)
G|---------------------------------------|
B|----3--1--3----3--1--3----3--1--3----3-|
E|-0-----------0----------0--------------|
"Success as a result of industry is a peasant ideal." -Wallace
Stevens.
Angelo Badalamenti and David Lynch, Charles Bukowski, the
Beatles,Dylan Thomas, Kurt Vonnegut,
at http://www.mindspring.com/~stewarts/index.htm
Sloppy Meateater (...)
Sloppy Seconds
Slothrust
Slough Feg
Slovak Folklore