Biografía:
As primeiras coisas que você nota são a voz e o espaço. A voz pertence à Nathaniel Rateliff, um homem que ganhou sua fala com tom nasal e alto cansaço que brilha pelo seu álbum de estreia na Rounder. O espaço vem de cortesia do produtor Brian Deck (Califone, Iron & Wine, Modest Mouse), que ajudou a transformar uma fita de demos gravadas num quarto em miniaturas épicas de contraste, beleza e ânsia. In Memory of Loss é um deslumbrante, desolador e sônico documento de um cantor-compositor que veio de uma infância em Bay
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Otras canciones:
- And It's Still Alright
- Breakman
- You Worry Me
- A Little Honey
- Babe I Know
- Boil And Fight
- Brakeman
- Coolin Out
- Dont Get Too Close
- Early Spring Till
- Easy
- Falling Faster Than You Can Run
- Forgetting Is Believing
- Hey Mama
- Howling At Nothing
- I Need Never Get Old
- Id Be Waiting
- Ive Been Failing
- Laughing
- Liverpool
- Look It Here
- Mellow Out
- Nothing To Show
- Oil And Lavender
- Out On The Weekend
- Parlor
- Pounds Pounds
- Right On
- Say It Louder
- Shroud
- Sob
- Solomon The Wheel
- Something Beautiful
- Still Out There Running
- Still Trying
- Tearing At The Seams
- Thank You
- Three Fingers In
- Trying So Hard Not To Know
- Wasting Time
- We Never Win
- When Do You See
- When Youre Here
- Whimper And Wail
- You Should Have Seen The Other Guy
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Tearing At the Seams
Nathaniel Rateliff and The Night Sweats
Beatiful and powerful song from a great artist; I don't think the original is played with a Capo but
it will give you a base. Open for suggestions or changes.
I like adding the A7 (X02223) just to give the same feeling of the keyboard in the song; listen to the song,
play along and hopefully you will find this useful ---- enjoy it.
Standard Tuning
CAPO On 1st
[INTRO]
A D E
Wait, did you think that I would break
N.C.
Underneath the pressure and the
A
[VERSE]
A D
Now the heart if not to feel
E A
Is a wandering waste in the driest land
A D
Now from these heights of this hills
E A
There's a funny thing that no one else can see
A7
D E
There's a liar, a liar on the stage
A
With a young child's eyes
A7
D
And it happens all wrong and only
E A
Half of it's seen from here
A7
[CHORUS]
F#m A
Where has all the time gone?
F#m A
In separate ways it runs long
F#m A
A hundred miles built upon us
E A
It's tearing at the seams of all that's been
E A
Tearing at the seams of all that's been
[VERSE]
A D
Wait, is this a game
E A
Or am I walking into a snare?
A D
Now these lies will spread
E A
Until we're choking on the innocent
A7 D
They have half of us tied and
E A
Half of us in chains
A7 D
We're all covering our eyes and
E A
Covering our mouths just the same
A7
[SOLO]
F#m A
F#m A
[CHORUS]
F#m A
Where has the time gone?
F#m A
In separate ways it runs long
F#m A
A hundred miles built upon us
E A
It's tearing at the seams of all that's been
E A
Tearing at the seams of all that's been
E A
It's tearing at the seams of all that's been
D A D
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us
A D
They're gonna have to drag us
A D [END]
They're gonna have to drag us away
Nathaniel Rateliff and The Night Sweats
Beatiful and powerful song from a great artist; I don't think the original is played with a Capo but
it will give you a base. Open for suggestions or changes.
I like adding the A7 (X02223) just to give the same feeling of the keyboard in the song; listen to the song,
play along and hopefully you will find this useful ---- enjoy it.
Standard Tuning
CAPO On 1st
[INTRO]
A D E
Wait, did you think that I would break
N.C.
Underneath the pressure and the
A
[VERSE]
A D
Now the heart if not to feel
E A
Is a wandering waste in the driest land
A D
Now from these heights of this hills
E A
There's a funny thing that no one else can see
A7
D E
There's a liar, a liar on the stage
A
With a young child's eyes
A7
D
And it happens all wrong and only
E A
Half of it's seen from here
A7
[CHORUS]
F#m A
Where has all the time gone?
F#m A
In separate ways it runs long
F#m A
A hundred miles built upon us
E A
It's tearing at the seams of all that's been
E A
Tearing at the seams of all that's been
[VERSE]
A D
Wait, is this a game
E A
Or am I walking into a snare?
A D
Now these lies will spread
E A
Until we're choking on the innocent
A7 D
They have half of us tied and
E A
Half of us in chains
A7 D
We're all covering our eyes and
E A
Covering our mouths just the same
A7
[SOLO]
F#m A
F#m A
[CHORUS]
F#m A
Where has the time gone?
F#m A
In separate ways it runs long
F#m A
A hundred miles built upon us
E A
It's tearing at the seams of all that's been
E A
Tearing at the seams of all that's been
E A
It's tearing at the seams of all that's been
D A D
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us away
A D
They're gonna have to drag us
A D
They're gonna have to drag us
A D [END]
They're gonna have to drag us away
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