Biografía:
Meridian es una banda chilena de Pop Rock con matices de Pop Punk formada en Agosto de 2011 por Constanza Nuñez (Vocal), Gabo Berrios (Guitarra Electrica), Rodrigo Toro (Bajo Electrico) y Francisco Pacheco (Bateria). Según la propia Banda; "Meridian se debe a un concepto de vida, intentando encontrar el meridiano en el cual se sienten libres e inspirados para llevar sus emociones al resto de la gente, dando como conclusión su música, llegando a un punto en el que todos pueden interpretar como propias las vivencias de la banda".
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¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
I'm pretty sure what I figured out is mostly correct, feel free to let me know of any changes you think I
should make.
The intro uses three different fingerings of E, and I think I got pretty close.
During the bridge section the E/D means E with D (or C# when tuned half step down), fingered as:
e|--0----|
B|--0----|
G|--1----|
D|--0----|
A|--2----|
E|--0----|
[Intro]
E E E
e|--4----| e|--0----|
B|--5----| B|--0----|
G|--4----| G|--9----|
D|--6----| D|--9----|
A|--7----| A|--7----|
E|--0----| E|--0----|
[Verse 1]
(muted)
E C#m
I heard your voice reverberating off of the back wall of the cathedral.
B A E
It echoed off the wedding bells and disappeared down Route 18.
(E) C#m
At first I tried to guide it back towards the strings of my heart where your hands pulled,
B A E
but it was faster and more devious than I could ever hope to be.
(regular strumming)
(E) C#m
So I racked my brain for days and days hoping I’d find some magic combination;
B A E
some special set of syllables to send your heart back to my door.
(E) C#m
But progress can’t be made if you’re the one who keeps on doing all the changing,
B A E
and every sentence that I say to you seems to fall just short.
[Chorus]
A E A F#m
If I could change you, I don’t think that I’d have the guts to.
A E D A
My roots have shown through and there’s no room for you here
E
to get stuck in the ground.
[Instrumental]
E C#m B A
[Verse 2]
E C#m
The distances we drew between did not present a clear and present danger;
B A E
and when we finally noticed them they were too heavy to move on.
(E strum once and mute) C#m
And somewhere between Madison and Bellingham I thought I had an answer,
B A E
but by the time I got to Denver I could plainly see that it was gone.
[Chorus]
A E A F#m
If I could change you, I don’t think that I’d have the guts to.
A E D A
My roots have shown through and there’s no room for you here
E
to get stuck in the ground.
[Instrumental]
E E/D A Am (x2)
[Bridge]
E E/D A Am
I found you in the night with the porch lights shining bright.
E E/D A Am
In the dead of the fall, that was where I lost it all.
E E/D A Am
Could you be more to me than a future memory
E E/D A Am G#m
of a girl, weighed down by the circumstances found and floundering
A Am
under the weight of all we’ve yet to be?
[Instrumental]
E C#m B A (x2)
G#m
Under all the weight
A Am
under the weight of all we've yet to be
[Outro]
E E E
e|--4----| e|--0----|
B|--5----| B|--0----|
G|--4----| G|--9----|
D|--6----| D|--9----|
A|--7----| A|--7----|
E|--0----| E|--0----|
should make.
The intro uses three different fingerings of E, and I think I got pretty close.
During the bridge section the E/D means E with D (or C# when tuned half step down), fingered as:
e|--0----|
B|--0----|
G|--1----|
D|--0----|
A|--2----|
E|--0----|
[Intro]
E E E
e|--4----| e|--0----|
B|--5----| B|--0----|
G|--4----| G|--9----|
D|--6----| D|--9----|
A|--7----| A|--7----|
E|--0----| E|--0----|
[Verse 1]
(muted)
E C#m
I heard your voice reverberating off of the back wall of the cathedral.
B A E
It echoed off the wedding bells and disappeared down Route 18.
(E) C#m
At first I tried to guide it back towards the strings of my heart where your hands pulled,
B A E
but it was faster and more devious than I could ever hope to be.
(regular strumming)
(E) C#m
So I racked my brain for days and days hoping I’d find some magic combination;
B A E
some special set of syllables to send your heart back to my door.
(E) C#m
But progress can’t be made if you’re the one who keeps on doing all the changing,
B A E
and every sentence that I say to you seems to fall just short.
[Chorus]
A E A F#m
If I could change you, I don’t think that I’d have the guts to.
A E D A
My roots have shown through and there’s no room for you here
E
to get stuck in the ground.
[Instrumental]
E C#m B A
[Verse 2]
E C#m
The distances we drew between did not present a clear and present danger;
B A E
and when we finally noticed them they were too heavy to move on.
(E strum once and mute) C#m
And somewhere between Madison and Bellingham I thought I had an answer,
B A E
but by the time I got to Denver I could plainly see that it was gone.
[Chorus]
A E A F#m
If I could change you, I don’t think that I’d have the guts to.
A E D A
My roots have shown through and there’s no room for you here
E
to get stuck in the ground.
[Instrumental]
E E/D A Am (x2)
[Bridge]
E E/D A Am
I found you in the night with the porch lights shining bright.
E E/D A Am
In the dead of the fall, that was where I lost it all.
E E/D A Am
Could you be more to me than a future memory
E E/D A Am G#m
of a girl, weighed down by the circumstances found and floundering
A Am
under the weight of all we’ve yet to be?
[Instrumental]
E C#m B A (x2)
G#m
Under all the weight
A Am
under the weight of all we've yet to be
[Outro]
E E E
e|--4----| e|--0----|
B|--5----| B|--0----|
G|--4----| G|--9----|
D|--6----| D|--9----|
A|--7----| A|--7----|
E|--0----| E|--0----|
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