Biografía:
Otras canciones:
- A House Is Not A Motel
- A Message To Pretty
- Alone Again Or
- Always See Your Face
- And More
- Andmoreagain
- Bummer In The Summer
- Everybodys Gotta Live
- Gather Round
- Hey Joe
- Laughing Stock
- Listen To My Song
- Live And Let Live
- Maybe The People
- Maybe The People Would Be The Times Or Between Clark And Hilldale
- Mushroom Clouds
- My Little Red Book
- No Matter What You Do
- Old Man
- Seven And Seven Is
- Signed D C
- Softly To Me
- Stephanie Knows Who
- The Daily Planet
- The Good Humor Man
- The Red Telephone
- Wonder People I Do Wonder
- You Ill Be Following
- Your Mind And We
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
Date: Sat, 28 Mar 1998 19:09:45 -0500
From: Dann Butterfield
Subject: l/love/stephanie_knows_who.crd
Stephanie Knows Who
(Arthur Lee)
LOVE
>From Da Capo, 1967
****
You should listen to the song to figure
out how to play the bridge.
****
(brisk tempo, 3/4)
Intro:
D / / A / / G / / (x2)
E / / G / / F# / / F / / (x2)
Verse 1:
D A G
What's in your life, dear Stephanie?
D A G
What's in your life for me?
E G F# F
Aches and pains they cloud your sight
E G F# F
What Tigra did, you said you did
(repeat intro)
What can I say, dear Stephanie?
Who should I next inform
Of love and poetry that you bring
Your eyes, your hair, your everything, yeah!
Bridge: ('_' = quarter note rest,
the 'Yeah!' and 'Uhhh!' are also rests)
(Yeah!) F F | G _ A | A _ A | A F F | D G _ | A A _ | A A _
Uhhh! F F | G _ A | A _ A | A F F | D G _ | A A _ | A A _
E
Yeah, yeah, yeah, yeah, come on, come on, come on, come on...
Middle: (5/4)
Am / / Bm Em | Am / / Em G (x11)
E
Yeah, yeah, yeah, yeah, come on, come on, come on, come on...
Verse 3:
What am I now, dear Stephanie?
Am I you in disguise?
The words they come so naturally
I say them all for Stephanie, yeah
(repeat bridge)
D / / A / / G / / (repeat to fade)
****************
submitted by Dann Butterfield
transcribed by Shawn Trotter
comments/corrections to [email protected]
****************************************************************
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
Date: Sat, 28 Mar 1998 19:09:45 -0500
From: Dann Butterfield
Subject: l/love/stephanie_knows_who.crd
Stephanie Knows Who
(Arthur Lee)
LOVE
>From Da Capo, 1967
****
You should listen to the song to figure
out how to play the bridge.
****
(brisk tempo, 3/4)
Intro:
D / / A / / G / / (x2)
E / / G / / F# / / F / / (x2)
Verse 1:
D A G
What's in your life, dear Stephanie?
D A G
What's in your life for me?
E G F# F
Aches and pains they cloud your sight
E G F# F
What Tigra did, you said you did
(repeat intro)
What can I say, dear Stephanie?
Who should I next inform
Of love and poetry that you bring
Your eyes, your hair, your everything, yeah!
Bridge: ('_' = quarter note rest,
the 'Yeah!' and 'Uhhh!' are also rests)
(Yeah!) F F | G _ A | A _ A | A F F | D G _ | A A _ | A A _
Uhhh! F F | G _ A | A _ A | A F F | D G _ | A A _ | A A _
E
Yeah, yeah, yeah, yeah, come on, come on, come on, come on...
Middle: (5/4)
Am / / Bm Em | Am / / Em G (x11)
E
Yeah, yeah, yeah, yeah, come on, come on, come on, come on...
Verse 3:
What am I now, dear Stephanie?
Am I you in disguise?
The words they come so naturally
I say them all for Stephanie, yeah
(repeat bridge)
D / / A / / G / / (repeat to fade)
****************
submitted by Dann Butterfield
transcribed by Shawn Trotter
comments/corrections to [email protected]
****************************************************************
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