Biografía:
´Remminicing´- Es un de las mejores temas classicos de la historia de la musica rock y pop, de este grupo Australiano; que imprimio´ todo el ´sabor californiano´ de esos años,en cada uno de los acordes de esta cancion. Fué la primera banda Australiana en conquistar mercados extranjeros. Dentro de los primeros ochos meses de su formación alcanzó la posición numero tres en el top 20 de sencillos y la posición dos en el top 10 de albumes.
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¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
HOME ON MONDAY: LITTLE RIVER BAND (Glenn Shorrock) 4/4 - 128
http://www.youtube.com/watch?v=XHq-8NGlQSk
This Tab is based on the original 1976 recording.
|% |: Repeat the previous Chord and Measure of 4-counts.
INTRO: |Am7 |G |Cmaj7 |D |
|Am7 |G |A |% |
VERSE 1:
Am7 |G |Cmaj7 |D
Can you guess where I'm calling from, The Las Vegas Hilton.
Am7 |G |Cmaj7 |D |
I know it's hard to hear, it's just the echo on the line.
Am7 |G |Cmaj7 |D
Yes that's right, I'm calling from, The Las Vegas Hilton.
Am7 |G |A |% |
Just wanna say that I'm feeling fine.
CHORUS:
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |% |
Please, don't be angry, I'll be back with you real soon.
VERSE 2:
Am7 |G |Cmaj7 |D |
I was hoping to catch a glimpse, of the man from Memphis.
Am7 |G |Cmaj7 |D |
They told me that he had gone, never leaving a trace.
Am7 |G |Cmaj7 |D |
Just could never get involved, with those one-armed bandits.
Am7 |G |A |% |
Sure I'm craving for the smile on your face.
CHORUS:
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |
Please, don't be angry, I'll be back with you real soon.
BRIDGE:
D/A |A |D/A |
Yeah.
A |D/A |A |D/A |
You looked so lovely, when I left, I nearly did'n't go.
A |D/A |
Twelve-thousand miles is, such a long way.
A |E
Help me get to grips with Hollywood.
|Esus4 |E |Esus4 |
You're getting through to me, Hollywood, you're in my movie.
INSTRUMENTAL: |Am7 |G |Cmaj7 |D |: 3x
|Am7 |G |A |% |
CHORUS:
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |
Please, don't be angry, I'll be back with you real soon, oh.
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |% |
Please, don't be angry, I'll be back with you real soon.
OUTRO:
Am7 |G |Cmaj7 |D |
Can you guess where I'm calling from.
|Am7 |G |Cmaj7 |D |
Am7 |G |Cmaj7 |D |
Yes that's right, I'm calling from, The Las Vegas Hilton.
/ / / / (breaks)
Am7 |G |Cmaj7 |A
Tab by: DAIRYBEAT (André H. Hofman, Purmerend, Netherlands).
FREE Dairybeat ORIGINALS, COVERS and BACKING TRACKS on:
http://www.soundclick.com/bands/default.cfm?bandID=137360&content=music
https://soundcloud.com/dairybeat
https://www.youtube.com/user/Dairybeat
http://www.youtube.com/watch?v=XHq-8NGlQSk
This Tab is based on the original 1976 recording.
|% |: Repeat the previous Chord and Measure of 4-counts.
INTRO: |Am7 |G |Cmaj7 |D |
|Am7 |G |A |% |
VERSE 1:
Am7 |G |Cmaj7 |D
Can you guess where I'm calling from, The Las Vegas Hilton.
Am7 |G |Cmaj7 |D |
I know it's hard to hear, it's just the echo on the line.
Am7 |G |Cmaj7 |D
Yes that's right, I'm calling from, The Las Vegas Hilton.
Am7 |G |A |% |
Just wanna say that I'm feeling fine.
CHORUS:
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |% |
Please, don't be angry, I'll be back with you real soon.
VERSE 2:
Am7 |G |Cmaj7 |D |
I was hoping to catch a glimpse, of the man from Memphis.
Am7 |G |Cmaj7 |D |
They told me that he had gone, never leaving a trace.
Am7 |G |Cmaj7 |D |
Just could never get involved, with those one-armed bandits.
Am7 |G |A |% |
Sure I'm craving for the smile on your face.
CHORUS:
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |
Please, don't be angry, I'll be back with you real soon.
BRIDGE:
D/A |A |D/A |
Yeah.
A |D/A |A |D/A |
You looked so lovely, when I left, I nearly did'n't go.
A |D/A |
Twelve-thousand miles is, such a long way.
A |E
Help me get to grips with Hollywood.
|Esus4 |E |Esus4 |
You're getting through to me, Hollywood, you're in my movie.
INSTRUMENTAL: |Am7 |G |Cmaj7 |D |: 3x
|Am7 |G |A |% |
CHORUS:
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |
Please, don't be angry, I'll be back with you real soon, oh.
D |Dsus2/C |Em7/B C |D |
I'll be home on a monday, somewhere a-round noon.
D |Dsus2/C |Em7/B C |A |% |
Please, don't be angry, I'll be back with you real soon.
OUTRO:
Am7 |G |Cmaj7 |D |
Can you guess where I'm calling from.
|Am7 |G |Cmaj7 |D |
Am7 |G |Cmaj7 |D |
Yes that's right, I'm calling from, The Las Vegas Hilton.
/ / / / (breaks)
Am7 |G |Cmaj7 |A
Tab by: DAIRYBEAT (André H. Hofman, Purmerend, Netherlands).
FREE Dairybeat ORIGINALS, COVERS and BACKING TRACKS on:
http://www.soundclick.com/bands/default.cfm?bandID=137360&content=music
https://soundcloud.com/dairybeat
https://www.youtube.com/user/Dairybeat
Liz Callway
Liz Phair
Liza Anne
Liza Minnelli
Lizard Boy Origi (...)