Biografía:
Cuando Aled Phillips creó KIDS IN GLASS HOUSES en 2004 no podría pensar que ese pasatiempo para salir de los suburbios aborrecidos de Cardiff sería algo tan grande al final. Phillip Jenkins a la batería, Andrew Shay al bajo y Joel Fisher a la guitarra le ayudarían a grabar su primer EP “E-Pocalypse!”. Esto les ayudaría a tocar en el Taste of Chaos tour en Inglaterra delante de más de 7000 personas. Kerrang! y NME pronto destacarían la visceralidad y magnífica composición de este trabajo.
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Otras canciones:
- Sunshine
- Black Crush
- Church Tounge
- Diamond Days
- Easy Tiger
- Enough For You
- Flirting With Widows
- Girls
- Give Me What I Want
- Giving Up
- Matters At All
- Mr Writer
- Nightcrawler
- Not In This World
- Peace
- Pillow Talk
- Raise Hell
- Saturday
- Secret Santa
- Teenage Wonderland
- The Best Is Yet To Come
- The Florist
- The Morning Afterlife
- The Runaways
- Undercover Lover
- Up All Night
- Youngblood Let It Out
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Intro: E C#m A
E C#m A
A young boy, chasing, his prayers, upstairs,
E C#m A
A white lie, a red light, and her thighs on his mind
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E E
Hey! gotta let it, hey! gotta let it
C#m A E
Hey! gotta let it out, let it out, let it
Solo: E C#m A
E C#m A
She was a young girl, whispers, her prayers, laid bare
E C#m A
At midnight, an invite, it's pitch black and bride white
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out
B - A - C#m B - A - C#m
Take me somewhere new, take me somewhere new
B - A - C#m B - A - C#m
And the shoes you've grown into, will soon start wearing you
Solo: C#m E C#m A
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E E
Hey! we gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E C#m A
Young boys, and young girls, upstairs, somewhere
E C#m A
A young boy, chasing, his prayers, upstairs,
E C#m A
A white lie, a red light, and her thighs on his mind
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E E
Hey! gotta let it, hey! gotta let it
C#m A E
Hey! gotta let it out, let it out, let it
Solo: E C#m A
E C#m A
She was a young girl, whispers, her prayers, laid bare
E C#m A
At midnight, an invite, it's pitch black and bride white
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out
B - A - C#m B - A - C#m
Take me somewhere new, take me somewhere new
B - A - C#m B - A - C#m
And the shoes you've grown into, will soon start wearing you
Solo: C#m E C#m A
E E
Hey! gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E E
Hey! we gotta let it, hey! gotta let it
C#m A
Hey! gotta let it out, let it out, let it
E C#m A
Young boys, and young girls, upstairs, somewhere
Larry Vincent
Laura Story
Leddra Chapman
Lee Ann Womack
Letters And Ligh (...)