Biografía:
Joanna Newsom (nacida el 18 de enero de 1982 en la ciudad de Nevada, California) es una cantante, instrumentista y compositora estadounidense, que combina el canto con el sonido del arpa. Sus canciones son de una temática notablemente madura, en constraste con su luminoso e inocente estilo de canto.
Comenzó a tocar el arpa a los 7 años de edad. Estudió música y escritura creativa en el Mills College. También toca el piano y el clavicordio.
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Otras canciones:
- '81
- Bridges And Balloons
- Clam Crab Cockle Cowry
- Emily
- On A Good Day
- Peach, Plum, Pear
- 81
- A Pin Light Bent
- Anecdotes
- Autumn
- Baby Birch
- Book Of Right
- Ca The Yowes To The Nowes
- Cassiopeia
- Clam Crab Cockle Cowrie
- Cosmia
- Divers
- Does Not Suffice
- Easy
- En Gallop
- Esme
- Go Long
- Good Intentions Paving Company
- Goose Eggs
- Have One On Me
- In California
- Inflamatory Writ
- Inflammatory Writ
- Jackrabbits
- Kingfisher
- Leaving The City
- Look And Despair
- Make Hay
- Monkey Bear
- No Provenance
- Occident
- Only Skin
- Peach Plum Pear
- Ribbon Bows
- Sadie
- Sapokanikan
- Sawdust And Diamonds
- Soft As Chalk
- Sprout And The Bean
- Swansea
- The Divers Wife
- The Fray
- The Northstar Grassman And The Ravens
- The Things I Say
- This Side Of The Blue
- Time As A Symptom
- Waltz Of The 101St Lightborne
- What We Have Known
- You And Me Bess
- You Will Not Take My Heart Alive
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Tabbed by PoorMatty @Forumz.
(F)There is a (C)spring not far from (F)here
The water (C)runs both sweet and (F)clear
Both sweet and (Dm)clear and co - (Bb)old
Could crack your (C)bones with (Bb)veins of (F)gold
I stood a-(C)wagging at the (F)tap
Just a-(C)waiting on the lagging, rising (F)sap
I held the (Bb)cold tin ladle to my (G)lip
At the shrine of the (C)Thousand Eyes I lowered my (Bb)eyes do (F)sip
What a (G)beautiful (Cm)day to (G)catch my (Cm)drift
Or (Bb)be caught (G#)up (Bb)in (Eb)it
(G#)You want your (G)love? (F)Love, (Bb)come and get your (G)love
I only (C)took it back because I (Bb)thought you (F)didn't
This progression is then repeated, followed by this:
(Am)All day you're (Eb)hassling me with (F)tri - (Cm)ifles
(Am)Black (Eb)nose of the dog as (F)cold as a (Cm)rifle (Bb)
(A)Indicating (G)with a nudge, (F)god, (Eb)no god, (Bb)god, (G)no god
(A)Sweet appraising (G)eye of the dog, blink (F)once if (Eb)god, (Bb)twice if (G)no god
Then the first progression begins again to finish the song out, starting on the C-
minor in the second section.
(F)There is a (C)spring not far from (F)here
The water (C)runs both sweet and (F)clear
Both sweet and (Dm)clear and co - (Bb)old
Could crack your (C)bones with (Bb)veins of (F)gold
I stood a-(C)wagging at the (F)tap
Just a-(C)waiting on the lagging, rising (F)sap
I held the (Bb)cold tin ladle to my (G)lip
At the shrine of the (C)Thousand Eyes I lowered my (Bb)eyes do (F)sip
What a (G)beautiful (Cm)day to (G)catch my (Cm)drift
Or (Bb)be caught (G#)up (Bb)in (Eb)it
(G#)You want your (G)love? (F)Love, (Bb)come and get your (G)love
I only (C)took it back because I (Bb)thought you (F)didn't
This progression is then repeated, followed by this:
(Am)All day you're (Eb)hassling me with (F)tri - (Cm)ifles
(Am)Black (Eb)nose of the dog as (F)cold as a (Cm)rifle (Bb)
(A)Indicating (G)with a nudge, (F)god, (Eb)no god, (Bb)god, (G)no god
(A)Sweet appraising (G)eye of the dog, blink (F)once if (Eb)god, (Bb)twice if (G)no god
Then the first progression begins again to finish the song out, starting on the C-
minor in the second section.
Joaquín B (...)
Joaquin De Rodri (...)
Joaquín S (...)
Joceline Leblanc
Jochi