Biografía:
Joanna Newsom (nacida el 18 de enero de 1982 en la ciudad de Nevada, California) es una cantante, instrumentista y compositora estadounidense, que combina el canto con el sonido del arpa. Sus canciones son de una temática notablemente madura, en constraste con su luminoso e inocente estilo de canto.
Comenzó a tocar el arpa a los 7 años de edad. Estudió música y escritura creativa en el Mills College. También toca el piano y el clavicordio.
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Otras canciones:
- '81
- Bridges And Balloons
- Clam Crab Cockle Cowry
- Emily
- On A Good Day
- Peach, Plum, Pear
- 81
- A Pin Light Bent
- Anecdotes
- Autumn
- Baby Birch
- Book Of Right
- Ca The Yowes To The Nowes
- Cassiopeia
- Clam Crab Cockle Cowrie
- Cosmia
- Divers
- Does Not Suffice
- Easy
- En Gallop
- Esme
- Go Long
- Good Intentions Paving Company
- Goose Eggs
- Have One On Me
- In California
- Inflamatory Writ
- Inflammatory Writ
- Jackrabbits
- Kingfisher
- Leaving The City
- Look And Despair
- Make Hay
- Monkey Bear
- No Provenance
- Occident
- Only Skin
- Peach Plum Pear
- Ribbon Bows
- Sadie
- Sapokanikan
- Sawdust And Diamonds
- Soft As Chalk
- Sprout And The Bean
- Swansea
- The Divers Wife
- The Fray
- The Northstar Grassman And The Ravens
- The Things I Say
- This Side Of The Blue
- Time As A Symptom
- Waltz Of The 101St Lightborne
- What We Have Known
- You And Me Bess
- You Will Not Take My Heart Alive
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
BABY BIRCH
CAPO 2
C F
this is the song for Baby Birch
Am F C
though i will never know you
C F
and at the back of what we've done
Am F C
there is the knowledge of you
C F
well, i wish we could take every path
Am F C
could spend a hundred years adoring you
C F
yes, i wish we could take every path
Am F C
because i hated to close the door on you
C F
do you remember staring up at the stars
Am F C
so far away in their bulletproof cars?
C F
when we heard the rushing, slow intake
Am F C
of the dark, dark water in the engine brakes?
C F
and i said to you, "well, how about them engine brakes?"
Am F C
and if i should die before i wake,
C F
Will you keep an eye on Baby Birch?
Am F C
because i'd hate to see her make the same mistake
Asus4 C
when it was dark, i called and you came
Asus4 C
when it was dark, i saw shapes
Asus4 C
when I see stars, i feel in your hand
Asus4 C
and I see stars, and I reel again.
C F
Well mercy me. I'll be goddamned.
Am
It's been a long, long time
F C
since I last saw you.
C F
And I have never known the plan.
Am
It's been a long, long time.
F C
How are you?
C F
Your eyes are green. Your hair is gold.
Am F C
Your hair is black. Your eyes are blue.
C F
I closed the ranks, and I doubled back—
Am
but, you know, I hated to close
F C
the door on you.
Asus4 C
We take a walk along the dirty lake.
Hear the goose,
Asus4 C
cussing at me over her eggs.
Asus4
You poor little cousin.
C
I don't want your dregs
Asus4 C
(A little baby fussing all over my legs).
Am
There is a blacksmith,
and there is a shepherd,
and there is a butcher-boy,
C
and there is a barber, who's cutting
and cutting away at my only joy.
Am
I saw a rabbit,
as slick as a knife,
and as pale as a candlestick,
C
and I had thought it'd be harder to do,
but I caught her, and skinned her quick:
held her there,
Am
kicking and mewling,
upended, unspooling, unsung and blue;
C
told her "wherever you go,
little runaway bunny,
I will find you."
Am
And then she ran,
C
as they're liable to do.
Asus4 C
Be at peace, baby, and begone.
Asus4, C to fade
CAPO 2
C F
this is the song for Baby Birch
Am F C
though i will never know you
C F
and at the back of what we've done
Am F C
there is the knowledge of you
C F
well, i wish we could take every path
Am F C
could spend a hundred years adoring you
C F
yes, i wish we could take every path
Am F C
because i hated to close the door on you
C F
do you remember staring up at the stars
Am F C
so far away in their bulletproof cars?
C F
when we heard the rushing, slow intake
Am F C
of the dark, dark water in the engine brakes?
C F
and i said to you, "well, how about them engine brakes?"
Am F C
and if i should die before i wake,
C F
Will you keep an eye on Baby Birch?
Am F C
because i'd hate to see her make the same mistake
Asus4 C
when it was dark, i called and you came
Asus4 C
when it was dark, i saw shapes
Asus4 C
when I see stars, i feel in your hand
Asus4 C
and I see stars, and I reel again.
C F
Well mercy me. I'll be goddamned.
Am
It's been a long, long time
F C
since I last saw you.
C F
And I have never known the plan.
Am
It's been a long, long time.
F C
How are you?
C F
Your eyes are green. Your hair is gold.
Am F C
Your hair is black. Your eyes are blue.
C F
I closed the ranks, and I doubled back—
Am
but, you know, I hated to close
F C
the door on you.
Asus4 C
We take a walk along the dirty lake.
Hear the goose,
Asus4 C
cussing at me over her eggs.
Asus4
You poor little cousin.
C
I don't want your dregs
Asus4 C
(A little baby fussing all over my legs).
Am
There is a blacksmith,
and there is a shepherd,
and there is a butcher-boy,
C
and there is a barber, who's cutting
and cutting away at my only joy.
Am
I saw a rabbit,
as slick as a knife,
and as pale as a candlestick,
C
and I had thought it'd be harder to do,
but I caught her, and skinned her quick:
held her there,
Am
kicking and mewling,
upended, unspooling, unsung and blue;
C
told her "wherever you go,
little runaway bunny,
I will find you."
Am
And then she ran,
C
as they're liable to do.
Asus4 C
Be at peace, baby, and begone.
Asus4, C to fade
Joaquín B (...)
Joaquin De Rodri (...)
Joaquín S (...)
Joceline Leblanc
Jochi