Biografía:
Eliza Gilkyson (born in Los Angeles, California, in 1950) is an American folk musician based in Austin, Texas. She has been recording and performing her unique blend of folk, country, and other genres since the late 1970s. She is the daughter of the late Terry Gilkyson, an accomplished songwriter noted for music he composed for Disney. She is the sister of Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She has collaborated with both during the course of her career.
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Otras canciones:
- 2153
- All Right Here
- An American Boy
- Aphrodites Face
- Babys Waking
- Ballad Of Yvonne Johnson
- Beauty Way
- Blue Moon Night
- Borderline
- Buffalo Gals
- Calling All Angels
- Calm Before The Storm
- Children In The Wilderness
- Chimes Of Freedom
- Clever Disguise
- Coast
- Colorado Trail
- Dark Side Of Town
- Death In Arkansas
- Dream Lover
- Easy Rider
- Eliza Jane
- Emerald Street
- Emmanuel
- Fall Into The Night
- Foolish Heart
- Greenfields
- Hard Times In Babylon
- He Waits For Me
- Heart Of A Man
- Hell Miss This Train
- Her Melancholy Muse
- Highway
- I Become The Moon
- In My Dreams
- In The Name Of The Lord
- Inspiration
- Is It Like Today
- Jedidiah 1977
- Land Of Skin And Sorrow
- Lights Of Santa Fe
- Looking For A Place
- Love Will Come True
- Man Of God
- Midnight Oil
- Midnight On Raton
- Milk And Honey
- Not Lonely
- Not My Home
- Paradise Hotel
- Peace Call
- Pilgrims
- Pools Of Eden
- Prayer 2000
- Rare Bird
- Requiem Live
- River Of Gold
- Riverside
- Road Not Taken
- Rose Of Sharon
- Roses At The End Of Time
- Rosie Strike Back
- Runnin Away
- Sanctuary
- Sleeping
- Solitary Singer
- Song Of The Rainbow Warrior Parts 1 And 2
- Take Off Your Old Coat
- Tangible Things
- Tender Mercies
- The Ark
- The Great Correction
- The Partys Over
- Think About You
- Through The Looking Glass
- Touchstone
- Unless You Want Me
- Vayan Al Norte
- Walk Away From Love
- Welcome Back
- When You Walk On
- Where No Monument Stands
- Wildewood Spring
- Wonderland
- World Without End
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Eliza Gilkyson - Aphrodite's Face
## NOTE: To play this song in the original Key without a Capo, ##
## Transpose up 7 semitones - in which case the G becomes ##
## D/F# = 200232, thumb-over on the bass E-string. ##
CAPO: 7th Fret
INTRO: Am G C F Am G C F Am G
C
I followed far behind you
Em
To the edge of Tinseltown
F C
Where the [Carnival ?] is open
F Dm
And the curtains falling down
C
Took a seat in the front row
Em
You were there, up on the stage
F C
You were paying for their silver
F Dm Dm7 Dm Dm7
With your beauty and your rage
F C
I found you in the dressing room
F C
At peace with your disgrace
Am G C F
In the body of a messenger
Am G C F Am G
With Aphrodite's face
C
I reached out, but you ran away
Em
When I caught your glimpse of hell
F C
But I lost you in the alleyway
F Dm
Where no one knows you well
C
If the times were not so killing
Em
They'd lay flowers at your feet
F C
If the flesh were not so willing
F Dm
And the spirit not so weak
F C
They'd come to get your blessing
F C
When the gods hang up their [trace ?]
Am G C F
In the body of a messenger
Am G C F Am G C F Am G C
With Aphrodite's face
BRIDGE:
F Em
Imitation, worries skin deep
Dm Am
Imitation, go back to sleep
F Am
Love is so much deeper than this
Dm Am G C F Am G C F Am G
Hollow horn of emptiness
C
It's too soon to end your story
Em
It's too late to take it back
F C
And all that's been made holy
F Dm
Can never be made hack
C
I'll unlace my ties that bind you
Em
And my fingers from your hand
F C
Then I'll lose you 'til I find you
F Dm
From the woman in the man
F C
But your curse will be your blessing
F C
When the angel takes his place
Am G C F
In the body of a messenger
Am G C F Am G C
With Aphrodite's face
OUTRO: (## fade to end ##)
Am G C F Am G C
Aphrodite's face
Am G C F Am G C F Am G C F Am G C F
Aphrodite's face
## NOTE: To play this song in the original Key without a Capo, ##
## Transpose up 7 semitones - in which case the G becomes ##
## D/F# = 200232, thumb-over on the bass E-string. ##
CAPO: 7th Fret
INTRO: Am G C F Am G C F Am G
C
I followed far behind you
Em
To the edge of Tinseltown
F C
Where the [Carnival ?] is open
F Dm
And the curtains falling down
C
Took a seat in the front row
Em
You were there, up on the stage
F C
You were paying for their silver
F Dm Dm7 Dm Dm7
With your beauty and your rage
F C
I found you in the dressing room
F C
At peace with your disgrace
Am G C F
In the body of a messenger
Am G C F Am G
With Aphrodite's face
C
I reached out, but you ran away
Em
When I caught your glimpse of hell
F C
But I lost you in the alleyway
F Dm
Where no one knows you well
C
If the times were not so killing
Em
They'd lay flowers at your feet
F C
If the flesh were not so willing
F Dm
And the spirit not so weak
F C
They'd come to get your blessing
F C
When the gods hang up their [trace ?]
Am G C F
In the body of a messenger
Am G C F Am G C F Am G C
With Aphrodite's face
BRIDGE:
F Em
Imitation, worries skin deep
Dm Am
Imitation, go back to sleep
F Am
Love is so much deeper than this
Dm Am G C F Am G C F Am G
Hollow horn of emptiness
C
It's too soon to end your story
Em
It's too late to take it back
F C
And all that's been made holy
F Dm
Can never be made hack
C
I'll unlace my ties that bind you
Em
And my fingers from your hand
F C
Then I'll lose you 'til I find you
F Dm
From the woman in the man
F C
But your curse will be your blessing
F C
When the angel takes his place
Am G C F
In the body of a messenger
Am G C F Am G C
With Aphrodite's face
OUTRO: (## fade to end ##)
Am G C F Am G C
Aphrodite's face
Am G C F Am G C F Am G C F Am G C F
Aphrodite's face
Elizabeth Clepha (...)
Elizabeth Cook
Elizabeth Cotten
Elizabeth Cotton
Elizabeth Grace