Biografía:
Bateria de "Eagles", cantante y compositor, es autor de la célebre canción "Hotel california", a la que pone su voz desde la batería.
Cuando Don Henley con Glen Frey, Bernie Leadon y Randi Meisner se unieron para grabar su sonido con tintes rock y country no sospechaban que los Eagles se convertirían en uno de los grupos esenciales de la música americana. Sus Desperado, Take easy. Take it to the limit, Tequila Sunrise, Hotel California...son escuchados cada día en cualquier parte del mundo.
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Otras canciones:
- Boys Of Summer
- For My Wedding
- Heart Of The Matter
- A Month Of Sundays
- A Younger Man
- All She Wants To Do Is Dance
- Annabel
- Bramble Rose
- Come Rain Or Come Shine
- Damn It Rose
- Desperado
- Dirty Laundry
- End Of The Inmocence
- End Of The Innocence
- Everybody Knows
- Everything Is Different Now
- Forever Near
- Goodbye To A River
- I Cant Stand Still
- Inside Job
- New York Minute
- No Thank You
- Not Enough Love In The World
- On My Wedding Day
- Praying For Rain
- Sometimes Love Just Aint Enough
- Sunset Grill
- Take A Picture Of This
- Taking You Home
- That Old Flame
- The Boys Of Summer
- The Brand New Tennessee Waltz
- The Cost Of Living
- The End Of The Innocence
- The Last Worthless Evening
- Too Far Gone
- Too Much Pride
- Train In The Distance
- Waiting Tables
- When I Stop Dreaming
- Where I Am Now
- Words Can Break Your Heart
- You Must Not Be Drinking Enough
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
This one suddenly came to me while playing some Dire Straits...
The original is on piano, but this is nice to play on an acoustic as a
solo folk song (the last verse can be played with some distortion to go
with the tone of the lyrics). I've tabbed this out in the key of G because
I naturally sing low and it's how I remember the song, but feel free to
transpose it to A if you can sing like Don. If so, then play as follows:
G becomes A
C becomes D
D becomes E
Em becomes F#m
Bm becomes C#m
That's it! Here's the song. Apparently, this was inspired by Don's
grandfather and his experiences farming. Think of it as a soft-rock
counterpoint to "Foreclosure of a Dream" :-)
G (can play C here, but not necessary)
I used to work for Harvester,
G
I used to use my hands,
C
I used to build the tractors and the combines,
D
that plowed and harvested this great land...
Em C
Now I see my handiwork on the block
Em Bm
Everywhere I turn,
Em C
And I see the clouds cross the weathered faces,
Bm D
And I watched the harvest burn...
That's essentially it, as all the verses can be played with the same basic
progression
(G / C / D followed by Em / C / Em / Bm / Em / C / Bm and end on D)
At the end (after "I don't see next year's crop"), return to the second
progression:
Em C
And I sit here in my back porch in the twilight,
Em Bm
And I hear the crickets hum...
Em C
Sit and watch the lightning in the distance,
Bm D
but the showers never come...
Em C
I sit here and listen to the wind blow,
Em Bm
I sit here and rub my hands,
Em C
I sit here and listen to the clock strike,
Bm C (end on C)
And wonder when I'll see my com-panion again..
That's about it. Economically and politically a bit dated, I guess, but
still packs a punch musically.
- G.
The original is on piano, but this is nice to play on an acoustic as a
solo folk song (the last verse can be played with some distortion to go
with the tone of the lyrics). I've tabbed this out in the key of G because
I naturally sing low and it's how I remember the song, but feel free to
transpose it to A if you can sing like Don. If so, then play as follows:
G becomes A
C becomes D
D becomes E
Em becomes F#m
Bm becomes C#m
That's it! Here's the song. Apparently, this was inspired by Don's
grandfather and his experiences farming. Think of it as a soft-rock
counterpoint to "Foreclosure of a Dream" :-)
G (can play C here, but not necessary)
I used to work for Harvester,
G
I used to use my hands,
C
I used to build the tractors and the combines,
D
that plowed and harvested this great land...
Em C
Now I see my handiwork on the block
Em Bm
Everywhere I turn,
Em C
And I see the clouds cross the weathered faces,
Bm D
And I watched the harvest burn...
That's essentially it, as all the verses can be played with the same basic
progression
(G / C / D followed by Em / C / Em / Bm / Em / C / Bm and end on D)
At the end (after "I don't see next year's crop"), return to the second
progression:
Em C
And I sit here in my back porch in the twilight,
Em Bm
And I hear the crickets hum...
Em C
Sit and watch the lightning in the distance,
Bm D
but the showers never come...
Em C
I sit here and listen to the wind blow,
Em Bm
I sit here and rub my hands,
Em C
I sit here and listen to the clock strike,
Bm C (end on C)
And wonder when I'll see my com-panion again..
That's about it. Economically and politically a bit dated, I guess, but
still packs a punch musically.
- G.
Don Omar
Don Osvaldo
Don Patricio
Don Tetto
Don Williams