Biography:
Talk about starting with a bang. Adaline achieves near Judy Garland levels of melodrama on “That’s What You Do Best”, the stately electro-torch song that opens her new album, Modern Romantics. But she doesn’t get there without boxing your ears with wiggy sax (from Shuffle Demon Richard Underhill) and unhinged guitar solos (by Hawksley Workman) on the way, the latter sounding like it was recorded in a reinforced missile silo. There’s a lot of tastefully rendered sonic action on the way to that quivering, love-burnt climax.
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[C] [F]
Lay your life on mine and I'll carry you through
[C] [F]
Make good use of time and I'll stand with you
[C] [Am] [F]
Cause I've got all my life to love you and so do you
[F] [G]
So there's no home for doubt
[C] [F]
If you're scared we'll work it out
[F] [G] [C]
And the lives that we share could be anywhere
[F] [G] [C] [F]
For as long as you're mine we can stand the test of time
[F] [G] [C]
For the cost is too high not to love
[C] [F]
Put your cares on mine and we'll carry them through
[C] [F]
Walk the firing lines with the power of two
[C] [Am] [F]
Cause I've got all my life to save you and so do you
[F] [G]
So there's no home for doubt
[C] [F]
If you're scared we'll work it out
[F] [G] [C]
And the lives that we share could be anywhere
[F] [G] [C] [F]
For as long as you're mine we can stand the test of time
[F] [G] [C]
For the cost is too high not to love
[F] [G]
So there's no home for doubt
[C] [F]
If you're scared we'll work it out
[F] [G] [C]
And the lives that we share could be anywhere
[F] [G] [C] [F]
For as long as you're mine we can stand the test of time
[F] [G] [C]
For the cost is too high not to love
[F] [G] [C]
The cost is too high not to love
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