Biography:
The Wrens formed in the late 1980s in New Jersey, consisting of Charles Bissell (guitar, vocals), Greg Whelan (Whelan G. E.) (guitar, vocals), Kevin Whelan (Sett) (bass, keys, vocals), and Jerry MacDonnell (Jerome MACDonnell) (drums). Their influences range from Guided by Voices to the Pixies, but they have developed a unique sound since their initial formation.
The Wrens are known for their explosive stage presence, despite each member being well past 35, and are steadily gaining a fanbase across the world.
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Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
G Bm Em
Fourth floor room
Am Bm C
Each girl I've brought back home to bloom
Bm
All fold on close inspection
G Bm Em Am Bm C
Each one leaves a banner hanging from the eaves
Bm
Marking the eve of election
D
Ex-girl collection
Am Bm C G
Why/ into why not
E
Into what else you got
Am Bm C Bm
It's just how men mark time
GBmEmAmBmCBm
GBmEmAmBmCBm
G Bm Em
Ann slams in
Am Bm C
Another lightening round begins
Bm
This could get interesting
GBm Em
Where's Ann been
Am Bm C
She pours herself a don't-ask gin
BmD
No ice and light on the bitters
I'm done with quitters
Am Bm C G
Why / Charles I found out
E
Wipe that smile off your mouth
Am Bm C
I think it's tell-me time '
G Bm Em
Britt hit hard
Am BmC
She found my box of Beth's best cards
Bm
Hand cut and signed with 'x's
G Bm Em
Called at work
Am Bm C
Happy anniversary jerk'
Bm D
And I just laughed at the timing with you on hold line still crying
Am Bm C G
Why / play sex on the cuff
E
Does Beth like it rough
Am Bm C
And learn your dirty lines
G
And keep her hair cropped
E
The other shoe dropped
Am Bm CG
Is this how men mark time / in couples ' she cursed
E
This sounds too rehearsed
AmCG
As Ann hand on hip accusing me to the rafters
AmCG
The words turn and spit and scorch right through to the plaster
D
I'm called 1 kinds of a bastard
Curses came faster
Am Bm CG
Why / into why not
E
Into charles gone to pot
In hotter water
Am Bm C G
Line/ up to lift up a toast
E
To the ones I hurt most
Am Bm C
And how the well's gone lime
G
With charles on the plow
E
I'm roger over and how
Am Bm C
Slower now men mark time
Am Bm C
Fine
Am Bm C
Why / what else you got
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