Biography:
Neil Patrick Harris (born June 15, 1973) is an American Golden Globe- and Emmy-nominated actor. He is best known for his roles as the teenage doctor Doogie Howser, M.D., the womanizer Barney Stinson in How I Met Your Mother, the very intelligent Col. Carl Jenkins in Starship Troopers, and as a parody of himself in Harold and Kumar Go to White Castle and its sequel Harold and Kumar Escape from Guantanamo Bay. Recently he received acclaim for his role as the titular Doctor Horrible in the web series Dr Horrible's Singalong Blog, when he sang.
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Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
I cannot say in terms of guitar playing. These are the chords for piano. Arranged from a
copy of the lyrics, intense watching of the musical, a copy of the P/C score, and a
copy of the sheet music and chords for the "solo" version. Arrangement is my own.
PLAYING NOTES: C6/9 is played as a bass note (C, G or A, vary it as you wish) for 1
beat, followed by the chord played on the second beat.
Generally, it starts quiet, and the dynamics and tempi increase over the breaks between sections.
TIME SIGNATURE: 4/4
INTRO: |C6/9| x2
|C6/9 |F/G
Someone to hold you too close
|C6/9 |G7b9
Someone to hurt you too deep
|C6/9 |Am7
Someone to sit in your chair
|Fmaj9 |G|
To ruin your sleep
BREAK: |C6/9|F/G| x4
|C6/9 |F/G
Someone to need you too much
|C6/9 |G7b9
Someone to know you too well
|C6/9 |Am7
Someone to pull you up short
|Fmaj9 |G|
And put you through hell
BREAK: |C6/9|F/G| x4
|C6/9 |F/G
Someone you have to let in
|C6/9 |G7b9
Someone whose feelings you spare
|C6/9 |Am7
Someone who like it or not
|Fmaj9
Will want you to share
|Am7/D
A little, A lot
BREAK: |G Gsus2 G|Gsus4 G Gsus2 G|
|C6/9 |F/G
Someone to crowd you with love
|C6/9 |G7b9
Someone to force you to care
|C6/9 |Am7
Someone to make you come through
|Fmaj9
Who'll always be there
|Am7/D
As frightened as you
|Dm/G G13
Of being a-live
|Dm/G FMaj7/G|Dm/G G13
Being A-live
|Dm/G FMaj7/G|Dm/G G13
Being A-live
|Dm/G |C6/9
Being A-live
BREAK: |F/G|C6/9|F/G|
|C6/9 |F/G
Somebody hold me too close
|C6/9 |G7b9
Somebody hurt me too deep
|C6/9 |Am7
Somebody sit in my chair
|Fmaj9
And ruin my sleep
|Am7/D
And make me a-ware
|Dm/G G13
Of being a-live
|Dm/G FMaj7/G|Dm/G G13
Being A-live
|C6/9 |F/G
Somebody need me too much
|C6/9 |G7b9
Somebody know me too well
|C6/9 |Am7
Somebody pull me up short
|Fmaj9
And put me through hell
|Am7/D
And give me sup-port
|Dm/G G13
For being a-live
|FMaj7/G |Dm/G G13
Make me a-live
|Dm/G F/G |Ab/Bb
Make me con-fused
|C
Mock me with praise
Cdim |Ab/Bb
Let me be used
|Dm/G G13
Vary my days
|Dm/G G7 |Dm/G G13
But A-lone
|G9 G9#5|F/G G13
is a -- lone
|F/G G9 G9#5|Dm/G G13
not a -- live
|Dm/G G13|
|C6/9 |F/G
Somebody crowd me with love
|C6/9 |G7b9
Somebody, force me to care
|C6/9 |Am7
Somebody make me come through
|Fmaj9
I'll always be there
|Am7/D
As frightened as you
|Dm/G G13
To help us sur-vive
|Dm/G G13 |Dm/G G13
Being A-live
|Dm/G G13 |Dm/G G13
Being A-live
|Dm/G FMaj7/G|G |C Bb/C|
Be -- ing a-live
OUTRO: |C Bb/C|C Bb/C|C11|
PLAYING NOTES: Ritardando over the outro. I don't have access to an instrument to check
the final "Being Alive", but it slows down, with grandeur.
copy of the lyrics, intense watching of the musical, a copy of the P/C score, and a
copy of the sheet music and chords for the "solo" version. Arrangement is my own.
PLAYING NOTES: C6/9 is played as a bass note (C, G or A, vary it as you wish) for 1
beat, followed by the chord played on the second beat.
Generally, it starts quiet, and the dynamics and tempi increase over the breaks between sections.
TIME SIGNATURE: 4/4
INTRO: |C6/9| x2
|C6/9 |F/G
Someone to hold you too close
|C6/9 |G7b9
Someone to hurt you too deep
|C6/9 |Am7
Someone to sit in your chair
|Fmaj9 |G|
To ruin your sleep
BREAK: |C6/9|F/G| x4
|C6/9 |F/G
Someone to need you too much
|C6/9 |G7b9
Someone to know you too well
|C6/9 |Am7
Someone to pull you up short
|Fmaj9 |G|
And put you through hell
BREAK: |C6/9|F/G| x4
|C6/9 |F/G
Someone you have to let in
|C6/9 |G7b9
Someone whose feelings you spare
|C6/9 |Am7
Someone who like it or not
|Fmaj9
Will want you to share
|Am7/D
A little, A lot
BREAK: |G Gsus2 G|Gsus4 G Gsus2 G|
|C6/9 |F/G
Someone to crowd you with love
|C6/9 |G7b9
Someone to force you to care
|C6/9 |Am7
Someone to make you come through
|Fmaj9
Who'll always be there
|Am7/D
As frightened as you
|Dm/G G13
Of being a-live
|Dm/G FMaj7/G|Dm/G G13
Being A-live
|Dm/G FMaj7/G|Dm/G G13
Being A-live
|Dm/G |C6/9
Being A-live
BREAK: |F/G|C6/9|F/G|
|C6/9 |F/G
Somebody hold me too close
|C6/9 |G7b9
Somebody hurt me too deep
|C6/9 |Am7
Somebody sit in my chair
|Fmaj9
And ruin my sleep
|Am7/D
And make me a-ware
|Dm/G G13
Of being a-live
|Dm/G FMaj7/G|Dm/G G13
Being A-live
|C6/9 |F/G
Somebody need me too much
|C6/9 |G7b9
Somebody know me too well
|C6/9 |Am7
Somebody pull me up short
|Fmaj9
And put me through hell
|Am7/D
And give me sup-port
|Dm/G G13
For being a-live
|FMaj7/G |Dm/G G13
Make me a-live
|Dm/G F/G |Ab/Bb
Make me con-fused
|C
Mock me with praise
Cdim |Ab/Bb
Let me be used
|Dm/G G13
Vary my days
|Dm/G G7 |Dm/G G13
But A-lone
|G9 G9#5|F/G G13
is a -- lone
|F/G G9 G9#5|Dm/G G13
not a -- live
|Dm/G G13|
|C6/9 |F/G
Somebody crowd me with love
|C6/9 |G7b9
Somebody, force me to care
|C6/9 |Am7
Somebody make me come through
|Fmaj9
I'll always be there
|Am7/D
As frightened as you
|Dm/G G13
To help us sur-vive
|Dm/G G13 |Dm/G G13
Being A-live
|Dm/G G13 |Dm/G G13
Being A-live
|Dm/G FMaj7/G|G |C Bb/C|
Be -- ing a-live
OUTRO: |C Bb/C|C Bb/C|C11|
PLAYING NOTES: Ritardando over the outro. I don't have access to an instrument to check
the final "Being Alive", but it slows down, with grandeur.
Neko Case
Nela Otuafi
Nellie Mckay
Nelly
Nelly Furtado
Nerdist
Nerdout
Nerf Herders
Nerina Pallot
Nervous Norvus