Biography:
The Swellers were a punk quartet from Fenton, Michigan, formed in 2002. Their music is fast and melodic, drawing heavy influences from 1990s skate punk. The current lineup consists of Nick Diener (guitar & lead vocals), Jonathan Diener (drums & backing vocals), Ryan Collins (guitar) and Anto Boros (bass). They were previously signed to Fueled by Ramen, but announced that they have left the label on April 20, 2012. They self-released the 2012 EP 'Running out of Places to Go' and in 2013 they signed to No Sleep Records.
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Other songs:
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
CAPO ON 1ST FRET
G G F#m Bm
G G F#m Bm
G F#m Bm
This is for an audience of one at a time,
G A G
so I'll sing it straight, I'll sing it loud.
G F#m
Don't keep it a secret, keep it elite.
Bm G A G
If only all your friends could see me now.
Bm G
How important are the words?
D
In one ear, already forgot 'em.
Bm G D
So many metaphors it could sink the fucking ship.
A G F#m Bm G F#m Bm
I'll see you all at the bottom.
G F#m
If there was a shotgun blast from my bedroom
Bm G
and you were outside the window,
A G
would you see a flash, or hear the sound?
G F#m
'Cause living out our dreams has been killing me.
Bm G A G
Did you hear it die, or is there no sound when no one else is around?
Bm G
How important are the words?
D
In one ear, already forgot 'em.
Bm G D
So many metaphors it could sink the fucking ship.
A G
I'll see you all at the bottom.
F#m Bm G
I was running out of places to go.
F#m Bm
I was running out
F#m G F#m G
of reasons to stay away from here again, but it isn't over yet.
F#m G
Was it worth it, then? Well, it sometimes can be.
F#m Em G
It's hard to see, but I think you're still my friends.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G
thank you for letting me into your home.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G
thank you for letting me into your home. I was running out of places to go.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G
thank you for letting me into your home. I was running out of places to go.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G A G
thank you for letting me into your home. I was running out of places to go.
G G F#m Bm
G G F#m Bm
G F#m Bm
This is for an audience of one at a time,
G A G
so I'll sing it straight, I'll sing it loud.
G F#m
Don't keep it a secret, keep it elite.
Bm G A G
If only all your friends could see me now.
Bm G
How important are the words?
D
In one ear, already forgot 'em.
Bm G D
So many metaphors it could sink the fucking ship.
A G F#m Bm G F#m Bm
I'll see you all at the bottom.
G F#m
If there was a shotgun blast from my bedroom
Bm G
and you were outside the window,
A G
would you see a flash, or hear the sound?
G F#m
'Cause living out our dreams has been killing me.
Bm G A G
Did you hear it die, or is there no sound when no one else is around?
Bm G
How important are the words?
D
In one ear, already forgot 'em.
Bm G D
So many metaphors it could sink the fucking ship.
A G
I'll see you all at the bottom.
F#m Bm G
I was running out of places to go.
F#m Bm
I was running out
F#m G F#m G
of reasons to stay away from here again, but it isn't over yet.
F#m G
Was it worth it, then? Well, it sometimes can be.
F#m Em G
It's hard to see, but I think you're still my friends.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G
thank you for letting me into your home.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G
thank you for letting me into your home. I was running out of places to go.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G
thank you for letting me into your home. I was running out of places to go.
D A G
I'd miss my bed, but I can't remember how it feels compared to yours or any other but
Bm A G A G
thank you for letting me into your home. I was running out of places to go.
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