Biography:
Kris Delmhorst (reputedly born in 1970 in Brooklyn) is an American folk singer based in Boston. In 1998, after several years of experience of performing live, Delmhorst finally finished recording her debut album, Appetite. In the same year she was involved in producing the Respond compilation, a fundraiser for domestic violence groups, which included her song "Weatherman".
In 1999, Delmhorst released a live album with The Vinal Avenue String Band, consisting of herself, Sean Staples, and Ry Cavanaugh.
Read more on Last.fm
Other songs:
- Anybodys Heaven
- Blood Test
- Bobby Lee
- Broken White Line
- Damn Love Song
- Everything Is Music
- Galuppi Baldessare
- Garden Rose
- Gave It Away
- Hummingbird
- Hurricane
- Lighthouse
- Lullaby 101
- Mean Old Wind
- Open Road
- Pretty How Town
- Short Work
- Since You Went Away
- Sleeping Dogs
- Too Late
- Waiting Under The Waves
- Wasted Word
- Yellow Brick Road
- Youre No Train
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Kris Delmhorst - Too Late
## NOTE 1: The Intro and Interlude have bass walk-ups/walk-downs between C/G and F ##
## NOTE 2: The start of the 1st three lines of each Verse is a bass walk-up from C/G to F ##
CAPO: 2nd Fret
INTRO: C/G F C/G F C
F C/G
Good Friday came early, some might say that's just as well
F C/G
It's a wrecking-ball afternoon, leave everything where it fell
F G
And the things that were said still ring in your head
Am G F
And you'd give anything to be wrong
C/G G F C/G
But there's no turning back, too late's come and gone
F C/G
Now it's Somerville Avenue rain and the night's coming down
F C/G
And you're looking for someone to blame in an innocent town
F G
On the road all alone, getting further from home
Am G F
Every step that you take feels so long
C/G G F C/G
But there's no turning back, too late's come and gone
INTERLUDE: F C/G F C/G
F C/G
I remember the light in your eyes put the neon to shame
F C/G
The smoke hidden deep in your throat when you whisper my name
F G
The road is so rough, it's all been enough
Am G F
I got no idea how we go on
C/G G F
But there's no turning back, too late's come and gone
OUTRO:
G F C/G G F C/G G F
Hallelu-----jah, Hallelu-----jah, Hallelu---------
## NOTE 1: The Intro and Interlude have bass walk-ups/walk-downs between C/G and F ##
## NOTE 2: The start of the 1st three lines of each Verse is a bass walk-up from C/G to F ##
CAPO: 2nd Fret
INTRO: C/G F C/G F C
F C/G
Good Friday came early, some might say that's just as well
F C/G
It's a wrecking-ball afternoon, leave everything where it fell
F G
And the things that were said still ring in your head
Am G F
And you'd give anything to be wrong
C/G G F C/G
But there's no turning back, too late's come and gone
F C/G
Now it's Somerville Avenue rain and the night's coming down
F C/G
And you're looking for someone to blame in an innocent town
F G
On the road all alone, getting further from home
Am G F
Every step that you take feels so long
C/G G F C/G
But there's no turning back, too late's come and gone
INTERLUDE: F C/G F C/G
F C/G
I remember the light in your eyes put the neon to shame
F C/G
The smoke hidden deep in your throat when you whisper my name
F G
The road is so rough, it's all been enough
Am G F
I got no idea how we go on
C/G G F
But there's no turning back, too late's come and gone
OUTRO:
G F C/G G F C/G G F
Hallelu-----jah, Hallelu-----jah, Hallelu---------
Kris Jensen
Kris Kross Amste (...)
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Kristen Vigard