Biography:
Slow Club are a 2-piece band from Sheffield, England comprising Charles Watson (vocals and guitar) and Rebecca Taylor (vocals, guitar, and percussion).
They formed in 2006, and are noted for their quirky lyrics, their variety of percussion instruments, and great vocal interplay. They are currently signed to Moshi Moshi Records, and have been on nationwide tours with artists such as Fionn Regan, Noisettes, Hot Club De Paris, Tilly and the Wall, Jamie T, and Jeremy Warmsley.
Read more on Last.fm
Other songs:
- Because We're Dead
- Beginners
- Boy On Their Birthdays
- Christmas Tv
- Hackney Marsh
- It Doesn't Have To Be Beautiful
- Our Most Brilliant Friends
- Summer Shakedown
- Thinking Drinking Sinking Feeling
- When I Go
- Apples And Pairs
- Because Were Dead
- Biology Hearts
- Champion
- Christmas Thanks For Nothing
- Dance Till The Morning Light
- Dependable People And Things That Im Sure Of
- Dont Call Me Kid
- Everything Is New
- Giving Up On Love
- Gold Mountain
- I Was Unconscious It Was A Dream
- In Waves
- It Doesnt Have To Be Beautiful
- Its Christmas And Youre Boring Me
- Lets Fall Back In Love
- Me And You
- Never Look Back Acoustic
- Not Mine To Love
- Only If Youre Certain
- Our Most Brilliant Friends Part 2
- Paraguay And Panama
- Queens Nose
- Sorry About The Doom
- Suffering You Suffering Me
- Tears Of Joy
- The Dog
- The Pieces
- The Queens Nose
- There Is No Good Way To Say Im Leaving You
- Trick Question
- Wading In The Warmest Ocean
- Wanderer Wandering Part 1
- Wanderer Wandering Part 2
- Wild Blue Milk
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Capo 3rd fret, all chord shapes relative to capo. Standard root chords.
F#/G just keep the G shape on the higher strings with an F# in the bass (either with a finger or your thumb):
F#/G: 2 X 0 0 3 3
The picking is up to you, and I find it more fun to play it quite loose (aka I'm not going to bother writing it
out). The only exeption is where I've written Cmaj7: this is just C but hit the B string and pull off your
finger to leave an open string. This is the little twiddly bit you can hear Charles play. In the bits between
verses, try putting that 1 on the B string and pulling it off, both on the C and G. Fun to play around with.
Intro:
G C G C G
G D C G F#/G
Ever had your numbers called
Em Am
Ever ran away.
G D C G F#/G
Ever loved and lost it all
Em Am
Don't you wanna say
C Bm C Bm
And if you had, and if you had
(Bm) Em C
The chance to run it all like you know it's meant
(C) D C Cmaj7
Would you roll a dice or sprint until the end
(Between verses)
G, C, G
G D C G F#/G
Pickled and soured, bruised and dry
Em Am
That's the local way
G D C G F#/G
Strange old flag, flying high
Em Am
Don't know what to say
C Bm C Bm
Just tip your head, just tip your head
(Bm) Em C
And let us know your heart, beats like the rest
D C Cmaj7
And we will roll around, and do our best
(Between verses)
G, C, G
G D C G F#/G
Painted girl, upon the wall
Em Am
Covered carefully
G D C G F#/G
In Paraguay and Panama, you were
Em Am
The hourglass beauty queen
C Bm C Bm
Just flick your hair, just flick your hair
(Bm) Em C
And move your lips around, in the shape of words
(Am) D C Cmaj7
That you knew before all of this
G, C, G.
F#/G just keep the G shape on the higher strings with an F# in the bass (either with a finger or your thumb):
F#/G: 2 X 0 0 3 3
The picking is up to you, and I find it more fun to play it quite loose (aka I'm not going to bother writing it
out). The only exeption is where I've written Cmaj7: this is just C but hit the B string and pull off your
finger to leave an open string. This is the little twiddly bit you can hear Charles play. In the bits between
verses, try putting that 1 on the B string and pulling it off, both on the C and G. Fun to play around with.
Intro:
G C G C G
G D C G F#/G
Ever had your numbers called
Em Am
Ever ran away.
G D C G F#/G
Ever loved and lost it all
Em Am
Don't you wanna say
C Bm C Bm
And if you had, and if you had
(Bm) Em C
The chance to run it all like you know it's meant
(C) D C Cmaj7
Would you roll a dice or sprint until the end
(Between verses)
G, C, G
G D C G F#/G
Pickled and soured, bruised and dry
Em Am
That's the local way
G D C G F#/G
Strange old flag, flying high
Em Am
Don't know what to say
C Bm C Bm
Just tip your head, just tip your head
(Bm) Em C
And let us know your heart, beats like the rest
D C Cmaj7
And we will roll around, and do our best
(Between verses)
G, C, G
G D C G F#/G
Painted girl, upon the wall
Em Am
Covered carefully
G D C G F#/G
In Paraguay and Panama, you were
Em Am
The hourglass beauty queen
C Bm C Bm
Just flick your hair, just flick your hair
(Bm) Em C
And move your lips around, in the shape of words
(Am) D C Cmaj7
That you knew before all of this
G, C, G.
Slza
Small Faces
Small Leaks Sink (...)
Smallpools
Smash Cast
Smog
Smokey Mountain
Smokey Robinson
Smokie
Smoking Popes