Biography:
Guided by Voices is an indie rock band formed in Dayton, Ohio, United States in 1983. The band's lineup has changed several times throughout the band's history, with its only constant member being singer/songwriter Robert Pollard. The band's current lineup consists of Robert Pollard (vocals, guitar), Bobby Bare Jr. (guitar), Doug Gillard (guitar), Mark Shue (bass) and Kevin March (drums). The band's 32nd and most recent album, Styles We Paid For, was released on December 11th, 2020.
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Other songs:
- Game Of Pricks
- Glad Girls
- Hold On Hope
- A Good Flying Bird
- A Man Called Aerodynamics
- Acorns And Orioles
- Alien Lanes
- As We Go Up We Go Down
- Awful Bliss
- Back To The Lake
- Big Boring Wedding
- Blimps Go 90
- Bright Paper Werewolves
- Bulldog Skin
- Chasing Heather Crazy
- Cheerleader Coldfront
- Chocolate Boy
- Circus Day Holdout
- Circus World
- Colonel Paper
- Cut Out Witch
- Dorothys A Planet
- Echoes Myron
- Echos Myron
- Everybody Thinks Im A Raincloud When Im Not Looking
- Everywhere With Helicopter
- Ex
- Exit Flagger
- Girls Of Wild Strawberries
- Gleemer
- Gold Star For Robot Boy
- Grandfather Westinghouse
- Hangover Child
- I Am A Scientist
- I Am A Tree
- If We Wait
- Im Cold
- Jabberstroker
- Jar Of Cardinals
- Kicker Of Elves
- Laundry And Lasers
- Liars Tale
- Lonely Town
- Motor Away
- Mushroom Art
- My Valuable Hunting Knife
- Over The Neptune
- Pan Swimmer
- Paper Girl
- Quality Of Armor
- Red Gas Circle
- Rhine Jive Click
- See My Field
- Smothered In Hugs
- Space Gun
- Sport Component National
- Surgical Focus
- Table At Fools Tooth
- Teenage Fbi
- The Best Of Jill Hives
- The Goldheart Mountaintop Queen Directory
- Things I Will Keep
- Twilight Campfighter
- Unbaited Vicar Of Scorched Earth
- Under The Bushes
- Underwater Explosions
- Unleashed
- Uphill Crick
- Visit This Place
- Wandering Boy Poet
- Weed King
- When She Turns 50
- You Own The Night
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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Here's my lame attempt at the chords for Jar Of Cardinals (someone
requested them awhile ago).
The same thing gets played throughout, it's just a three-chord progression
that goes to another key for the next three chords (I think).
G G* Em C C* Am
The G is a standard 3rd fret barre, the rest are the standard open chords.
The C* chord is just x20010 (according to a book I have this is a G6 (B
bass C added) but I just call it C*). The G* is the same thing as the C*
on the 7th fret, but to play it at the 3rd fret like it's supposed to be, I
think it's like this x34433. You can walk the bass down from the G to the
G* as 3--2 with your thumb on the E string, but my thumb isn't big enough
to get that F# (I think the bass takes care of it on the album). This
probably isn't exactly right, and you can substitute a Bm for the G*,
though it sounds a little off.
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Here's my lame attempt at the chords for Jar Of Cardinals (someone
requested them awhile ago).
The same thing gets played throughout, it's just a three-chord progression
that goes to another key for the next three chords (I think).
G G* Em C C* Am
The G is a standard 3rd fret barre, the rest are the standard open chords.
The C* chord is just x20010 (according to a book I have this is a G6 (B
bass C added) but I just call it C*). The G* is the same thing as the C*
on the 7th fret, but to play it at the 3rd fret like it's supposed to be, I
think it's like this x34433. You can walk the bass down from the G to the
G* as 3--2 with your thumb on the E string, but my thumb isn't big enough
to get that F# (I think the bass takes care of it on the album). This
probably isn't exactly right, and you can substitute a Bm for the G*,
though it sounds a little off.
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