Biography:
When it came to naming their new album, the five men who comprise Big Daddy Weave hardly had a choice. The new album all but named itself: Every Time I Breathe.
More than a call to worship, their latest project is a call to life. With Every Time I Breathe, Big Daddy Weave surrenders all that they have, and joyfully admit it is not enough. "We finally realized it is not the greatness of our offering, but it is the greatness of the God we are offering to that makes the difference," says singer/guitarist and primary songwriter Mike Weaver.
Read more on Last.fm
Other songs:
- Redeemed
- All For You
- Another Day In Paradise
- Audience Of One
- Beautiful Offering
- Blue Skies
- Christ Is Come
- Come Sit Down
- Different Light
- Every Time I Breathe
- Exalted Forever
- Fields Of Grace
- Glory
- Heaven Is Here
- Hold Me Jesus
- I Belong To God
- Ill Go
- In Christ
- Its Already Done
- Its Not About You
- Jesus I Believe
- Jesus Move
- Just The Way I Am
- Lavish
- Let It Rise
- Love Come To Life
- Magnificent God
- My Heart Cries Holy
- My Story
- Never Goin Back
- One And Only
- Only Jesus
- Overwhelmed
- Revive Us Again
- Sacrifice
- Sacrifice Of Praise
- Save My Life
- Set Me Free
- Stay
- The Lion And The Lamb
- The Only Name Your Will Be
- The Only Name Yours Will Be
- What Life Would Be Like
- When I See You
- Why
- Word Of God Speak
- You Found Me
- Youre Worthy Of My Praise
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
transcribed from this youtube video on 7/7/12
http://www.youtube.com/watch?v=EGoNdl_b09g
Revive Us Again
Intro - one bar of three on each chord
D/F# G A Bm / D G A A
(Repeat twice)
D
We praise You oh God
D
For the Son of Your love
D/F# G
For Jesus who died
A
And is now gone above
D
We praise You oh God
D
For Your Spirit of Light
D/F# G
Who has shown us our Savior
A
And scattered our night
Chorus 1
D G
Hallelujah, thine the glory
D/F# A
Hallelujah Amen
D G
Hallelujah, thine the glory
A
Revive us again
Chorus 2
D D/F#m
Hallelujah, thine the glory
Bm G
Hallelujah Amen
D/F# A
Hallelujah, thine the glory
Bm A D/F# - G - A - Bm - D/F# - G - A
Revive us again
Verse 2
D
All glory and praise
D
To the Lamb that was slain
D/F# G
Who has born all our sin
A
And has cleansed every stain
D
Revive us again
D
Fill our hearts with Your love
D/F# G
And may our souls be rekindled
A
With fire from above
Chorus 1 / Chorus 2 (same as above)
Note:
It's debateable whether sometimes he uses an f#minor instead of the D/F#. It's
really hard to hear it. I chose the D/F# because to me I hear the F# bass note
but not necessarily the full minor sonority of the F# minor chord. That's my take
on it. To play D/F#, you just wrap your thumb around the neck and grab the F# on
the 6th string 2nd fret while you're playing the D chord. It's very useful for
walk up bass patterns.
Also, the transition at the end of chorus two is just the intro stuck in there.
http://www.youtube.com/watch?v=EGoNdl_b09g
Revive Us Again
Intro - one bar of three on each chord
D/F# G A Bm / D G A A
(Repeat twice)
D
We praise You oh God
D
For the Son of Your love
D/F# G
For Jesus who died
A
And is now gone above
D
We praise You oh God
D
For Your Spirit of Light
D/F# G
Who has shown us our Savior
A
And scattered our night
Chorus 1
D G
Hallelujah, thine the glory
D/F# A
Hallelujah Amen
D G
Hallelujah, thine the glory
A
Revive us again
Chorus 2
D D/F#m
Hallelujah, thine the glory
Bm G
Hallelujah Amen
D/F# A
Hallelujah, thine the glory
Bm A D/F# - G - A - Bm - D/F# - G - A
Revive us again
Verse 2
D
All glory and praise
D
To the Lamb that was slain
D/F# G
Who has born all our sin
A
And has cleansed every stain
D
Revive us again
D
Fill our hearts with Your love
D/F# G
And may our souls be rekindled
A
With fire from above
Chorus 1 / Chorus 2 (same as above)
Note:
It's debateable whether sometimes he uses an f#minor instead of the D/F#. It's
really hard to hear it. I chose the D/F# because to me I hear the F# bass note
but not necessarily the full minor sonority of the F# minor chord. That's my take
on it. To play D/F#, you just wrap your thumb around the neck and grab the F# on
the 6th string 2nd fret while you're playing the D chord. It's very useful for
walk up bass patterns.
Also, the transition at the end of chorus two is just the intro stuck in there.
Big Talk
Big Thief
Big Time Rush
Big Wreck
Bigbang