Biography:
A.C. Newman is the solo project of Canadian musician Carl Newman (born April 14, 1968 in Vancouver, British Columbia), the lead singer of The New Pornographers and erstwhile Zumpano frontman.
Newman began his musical career in the 1990s as a member of the Vancouver grunge/pop group Superconductor. After a brief stay, he joined the Vancouver-based pop group Zumpano. The band released two albums with Newman in the mid-1990s, Look What the Rookie Did and Goin' Through Changes, both of which received favorable reviews.
Read more on Last.fm
Other songs:
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Bm E Bm E
A F#m A F#m
Bm E
Are we judged here by the things we say
Bm E
Or is it just the noise we make?
A F#m
Long before you were a patent pending
A F#m
There was a time you were the artist friendly
D E C#m
One,
D E C#m
one.
Bm E
When you really have to move you’ll be amazed
Bm E
At the way you learn to hide the stuff away
A F#m A
At the rider with the new headliner of the show,
F#m
looking for some new venues
D E C#m
You could outgrow,
D E C#m
you could outgrow.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
Bm E
Someone really needs to turn the lights out
Bm E
Don’t you know there is a war on here?
A F#m
It’s time enough out on the dead end streets.
A F#m
You’re done exploring, done it to death,
D E C#m
Haven’t you,
D E C#m
haven’t you?
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
F#m E F#m E A A A A x3
F#m E
Got the mail on the first day back
F#m E
In the loft apartment left to rot
A
Left there listening, to Hurricane Smith
A
If it gets more inappropriate.
D E C#m
I don't wanna know,
D E C#m
I don't wanna know.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
A F#m A F#m
Bm E
Are we judged here by the things we say
Bm E
Or is it just the noise we make?
A F#m
Long before you were a patent pending
A F#m
There was a time you were the artist friendly
D E C#m
One,
D E C#m
one.
Bm E
When you really have to move you’ll be amazed
Bm E
At the way you learn to hide the stuff away
A F#m A
At the rider with the new headliner of the show,
F#m
looking for some new venues
D E C#m
You could outgrow,
D E C#m
you could outgrow.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
Bm E
Someone really needs to turn the lights out
Bm E
Don’t you know there is a war on here?
A F#m
It’s time enough out on the dead end streets.
A F#m
You’re done exploring, done it to death,
D E C#m
Haven’t you,
D E C#m
haven’t you?
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
F#m E F#m E A A A A x3
F#m E
Got the mail on the first day back
F#m E
In the loft apartment left to rot
A
Left there listening, to Hurricane Smith
A
If it gets more inappropriate.
D E C#m
I don't wanna know,
D E C#m
I don't wanna know.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
A.G.
A.M. Rajah
A.N.I.M.A.L.
A.P.I.
A.Q.M.