Biography:
The Good Life surgiu para que Tim Kasher pudesse utilizar letras de músicas com uma abordagem diferente de seus outros projetos (Cursive), mas não demorou muito para que seu projeto solo se tornasse uma banda.
Com o tempo, o som da banda evoluiu e foi ficando mais refinado. Desde seu primeiro álbum, Novena on a Nocturne, um tanto pop; passando pelo álbum lançado em 2002, Black Out, com seus refrões inconfundíveis; até as músicas pra cantar junto do recente Lovers Need Lawyers EP.
Read more on Last.fm
Other songs:
- Early Out The Gate
- Some Bullshit Escape
- A Dim Entrance
- A Little Bit More
- A New Friend
- After Orourkes 210Am
- Album Of The Year
- An Acquaintance Strikes A Chord
- Black Out
- Dont Make Love So Hard
- Drinking With The Girls
- Empty Bed
- Entertainer
- For The Love Of The Song
- Friction
- Heartbroke
- Honeymoon
- Inmates
- Keely Aimee
- Leaving Omaha
- Lovers Need Lawyers
- Needy
- New Denial
- Night And Day
- Notes In His Pockets
- Off The Beaten Path
- Orourkes 120 Am
- Some Tragedy
- The Competition
- The Moon Red Handed
- Thirty
- Twenty Two
- Under A Honeymoon
- You Dont Feel Like Coming Home To Me
- Your Birthday Present
- Youre No Fool
- Youre Not You
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Dm Bb A
friction!
Dm Bb
nightclubs, nightstalkers, fast women, fast talkers
G A
loose lips, loose limbs, the lovely loveless
Dm Bb
sunset to sunrise, black dresses, black eyes
G A
tangles of tangos, hot hands, hot thighs
F Dm
why can I never get you?
Bb C
theres a sea of bodies between us.
F Dm
I recall the first time i saw you -
Bb C
not a dance hall - but a crowded bus.
A
pressed against the scent of stale sweat -
Dm Bb A
friction!
Dm Bb
vampires and witches steal bloody red kisses
G A
in go-go boots, Italian suits; they always dress to kill.
Dm Bb
they spin their umbrellas, they dance a tarantella..
G A
but I'm not here for them, I only come here to watch you.
F Dm
I want to make your acquaintance,
Bb C
to escort you - to be a gentleman.
F Dm
I want to rub up against you..
Bb C
like those scoundrels - like those wolves do.
A
they run in packs in saabs and SUVS.
F Dm
oh, these pounding dance clubs.
Bb C
this friction between us.
F Dm
how you throw your body,
Bb C
its so moving.. but never toward me.
A
still, I always seem to read between the beat.
Dm Bb A
Friction!
friction!
Dm Bb
nightclubs, nightstalkers, fast women, fast talkers
G A
loose lips, loose limbs, the lovely loveless
Dm Bb
sunset to sunrise, black dresses, black eyes
G A
tangles of tangos, hot hands, hot thighs
F Dm
why can I never get you?
Bb C
theres a sea of bodies between us.
F Dm
I recall the first time i saw you -
Bb C
not a dance hall - but a crowded bus.
A
pressed against the scent of stale sweat -
Dm Bb A
friction!
Dm Bb
vampires and witches steal bloody red kisses
G A
in go-go boots, Italian suits; they always dress to kill.
Dm Bb
they spin their umbrellas, they dance a tarantella..
G A
but I'm not here for them, I only come here to watch you.
F Dm
I want to make your acquaintance,
Bb C
to escort you - to be a gentleman.
F Dm
I want to rub up against you..
Bb C
like those scoundrels - like those wolves do.
A
they run in packs in saabs and SUVS.
F Dm
oh, these pounding dance clubs.
Bb C
this friction between us.
F Dm
how you throw your body,
Bb C
its so moving.. but never toward me.
A
still, I always seem to read between the beat.
Dm Bb A
Friction!
The Greencards
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The Gregory Brot (...)