Biography:
The Clientele are a London-based band with Alasdair MacLean on vocals and guitar, Mark Keen on drums, James Hornsey on bass and Mel Draisey on Keys and Violin.
MacLean and Hornsey began collaborating musically while still in school, after MacLean saw that Hornsey had written the name of the band Felt on his pencil case. The band formed in 1991, with the current lineup along with Innes Phillips, who shared singing and songwriting duties with MacLean.
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Other songs:
- Since K Got Over Me
- 6 Am Morningside
- An Hour Before The Light
- Bookshop Casanova
- Emptily Through Holloway
- Empty
- Five Day Morning
- Geometry Of Lawns
- Graven Wood
- Here Comes The Phantom
- I Had To Say This
- I Hope I Know You
- Isnt Life Strange
- Joseph Cornell
- K
- Kelvin Parade
- Lacewings
- My Own Face Inside The Trees
- Porcelain
- Reflections After Jane
- Saturday
- Somebody Changed
- Violet Hour
- We Could Walk Together
- When Shes Tired Of Dancing
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Artist: The Clientele
Album: Strange Geometry
Song: My Own Face Inside The Trees
Tabbed by: Jimbob - [email protected]
The middle 8 adds a little variation by adding a few
alterations to what is picked on the B and high E strings which
is fairly obvious to figure out. If not, I can add it later.
E F#m
All the pines that shiver in the park
G#m
Kick my fever through the dark
F#m
Through the railings and the iron
E
Empty bars and tenement lines
F#m
Something slips back into place
G#m
For a second there's a trace
A
Of my face inside the trees
B
Sudden light in everything
Break:
| B | F#m | A | E | x2
I get up and head down into work
Running errands like a jerk
But the fever does me in
Never touching anything
Like the sea inside a shell
Everything speaks to itself
Darkness comes at half-past three
My own face is in the trees
Break:
| B | F#m | A | E | x2
| E |
| D | A | E | | x2
Middle 8 (x2):
D A
For six years I have seen a friend
E
In summer crowds in Europe
D A E
When the evening falls
So I left myself back in the night
Moving into clearer light
Neither here nor really gone
Both surrounded and alone
Like the sea inside a shell
Everything speaks to itself
Darkness comes at half-past three
My own face is in the trees
Outro:
| B | F#m | A | E | x2
Dah da da da da da da da da...
| E | F#m | G#m | F#m | to fade
#----------------------------PLEASE NOTE-----------------------------#
# This represents the author's own work and interpretation of the #
# song. To be used only for private study, scholarship, or research. #
#--------------------------------------------------------------------#
Album: Strange Geometry
Song: My Own Face Inside The Trees
Tabbed by: Jimbob - [email protected]
The middle 8 adds a little variation by adding a few
alterations to what is picked on the B and high E strings which
is fairly obvious to figure out. If not, I can add it later.
E F#m
All the pines that shiver in the park
G#m
Kick my fever through the dark
F#m
Through the railings and the iron
E
Empty bars and tenement lines
F#m
Something slips back into place
G#m
For a second there's a trace
A
Of my face inside the trees
B
Sudden light in everything
Break:
| B | F#m | A | E | x2
I get up and head down into work
Running errands like a jerk
But the fever does me in
Never touching anything
Like the sea inside a shell
Everything speaks to itself
Darkness comes at half-past three
My own face is in the trees
Break:
| B | F#m | A | E | x2
| E |
| D | A | E | | x2
Middle 8 (x2):
D A
For six years I have seen a friend
E
In summer crowds in Europe
D A E
When the evening falls
So I left myself back in the night
Moving into clearer light
Neither here nor really gone
Both surrounded and alone
Like the sea inside a shell
Everything speaks to itself
Darkness comes at half-past three
My own face is in the trees
Outro:
| B | F#m | A | E | x2
Dah da da da da da da da da...
| E | F#m | G#m | F#m | to fade
#----------------------------PLEASE NOTE-----------------------------#
# This represents the author's own work and interpretation of the #
# song. To be used only for private study, scholarship, or research. #
#--------------------------------------------------------------------#
The Common Linne (...)
The Congos
The Connels
The Contortionis (...)
The Contours