Biography:
Taking Back Sunday is an American rock band from Long Island, New York. The band was formed by guitarist Eddie Reyes in 1999. The band's members are Adam Lazzara (lead vocals), John Nolan (lead guitar, keyboards, vocals), Shaun Cooper (bass guitar), and Mark O'Connell (drums).
Guitarist Eddie Reyes, who had played in The Movielife, Mind Over Matter and Inside, and guitarist Jesse Lacey of the Rookie Lot founded Taking Back Sunday in Amityville, New York in November 1999.
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Other songs:
- A Decade Under The Influence
- A Decade Under The Influence (fixed)
- Call Me In The Morning
- Cute Without The 'e' (simple Version)
- Cute Without The E
- Ghost Man On Third
- Just Like Heaven
- Makedamnsure
- My Blue Heaven
- New American Classic
- Slowdance On The Inside
- This Photograph Is Proof
- Waffle Song
- You're So Last Summer
- 12 Days Of Christmas
- All Ready To Go
- Beat Up Car
- Belgium Waffles Song
- Best Places To Be A Mom
- Better Homes And Gardens
- Bike Scene
- Capital M
- Cut Me Up Jenny
- Cute Without The E Cut From The Team
- Didnt See That Coming
- Divine Intervention
- Faith When I Let You Down
- Flicker Fade
- Great Romances Of The 20Th Century
- Little Devotional
- Make Damn Sure
- Nothing At All
- Number Five With A Bullet
- Sad Savior
- Sink Into Me
- Stood A Chance
- Swing
- The Bird You Cannot Change
- Theres No I In Team
- This Is All Now
- Tidal Wave
- Twenty
- We All Love Our Pets
- Whats It Feel Like To Be A Ghost
- Where My Mouth Is
- You Cant Look Back
- You Got Me
- You Know How I Do
- Your Own Disaster
- Youre So Last Summer
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Taking Back Sunday
Great Romances Of 20th Century
Tell All Your Friends
2002
Submitted by: [email protected]
Key: B
Tuning: Standard EADGBe
Chords used:
G#m - 466444
E - 022100
B - x24442
F# - 244322
F#/Bb - x143xx
Intro: B--E--F#--G#m-E- x4
Verse 1:
G#m E
September never
B
stays this cold
F#
where I come from
G#m
And you know
I’m not one
E
(I'm not one)
B
for complaining
F#
(for complaining)
G#m
But I love the way you’d
E B
roll excuses off the
F#
tip of your tongue
G#m E B F# G#m-E-B-F#-
as I slowly fall apart
(slowly quietly slowly)
fall apart
Verse 2:
B F#/Bb G#m
I said This won’t mean
E
a thing come tomorrow
B
and that’s exactly
F#
how I’ll make it seem
B F#/Bb G#m
Cause I'm still not sleeping
E
thinking I’ve crawled
B F#
home from worse than this
B F#/Bb G#m E
So please please (please)
B F#
I’m running out of sympathy
(I'm running out of sympathy!)
B F#/Bb G#m
and I never said
E
I’d take this
B
I never said I'd
F# B F#/Bb
take this ly-ing-
Chorus:
G#m
-down She says
F# E
"come on come on let’s
G#m
just get this over with
F# E
She says "come on, come on
G#m
let’s just get this over with
F#
I never said I’d take this
E
lying down let's just
get this over with,
and I've crawled home
G#m F# E
from worse than this
(She says "come
on come on
let’s just get
this over with
She says
"come on come on")
Bridge:
G#m
You always come close
F#
but this never comes easy
E
I still know everything
G#m
You always come close
F#
but you never come easy
E
I still know everything
G#m
This always comes close
F#
but you never come easy
E
I still know everything
G#m F# E--
You always come so close
I still know everything I
still know everything
E B E B
I still know
Verse 3:
E
You always come close
but this never comes easy
B
You always come close
but you never come easy
E
You're coming in
B
I never said I'd
G#m F# G#m F# G#m F# E
take this lying down
I never said I'd
G#m F# G#m F# G#m F# E
take this lying down
but I've crawled
home from worse
G#m F# G#m F# G#m F# E
than this
If it's not keeping
G#m F# G#m F# G#m F# E
you up nights
E--
then what’s the point
then what’s the point
then what’s the point
then what’s the point
Outro:
G#m F#
I'm in your room
E
now is this turning you
on am I turning you on?
G#m
I'm in your room
F#
are you turned on?
E
I'm on the corner of
your bed I'm thinking
maybe are you turned on
G#m F# G#m F# G#m F# E(hold)
are you turned on?
Great Romances Of 20th Century
Tell All Your Friends
2002
Submitted by: [email protected]
Key: B
Tuning: Standard EADGBe
Chords used:
G#m - 466444
E - 022100
B - x24442
F# - 244322
F#/Bb - x143xx
Intro: B--E--F#--G#m-E- x4
Verse 1:
G#m E
September never
B
stays this cold
F#
where I come from
G#m
And you know
I’m not one
E
(I'm not one)
B
for complaining
F#
(for complaining)
G#m
But I love the way you’d
E B
roll excuses off the
F#
tip of your tongue
G#m E B F# G#m-E-B-F#-
as I slowly fall apart
(slowly quietly slowly)
fall apart
Verse 2:
B F#/Bb G#m
I said This won’t mean
E
a thing come tomorrow
B
and that’s exactly
F#
how I’ll make it seem
B F#/Bb G#m
Cause I'm still not sleeping
E
thinking I’ve crawled
B F#
home from worse than this
B F#/Bb G#m E
So please please (please)
B F#
I’m running out of sympathy
(I'm running out of sympathy!)
B F#/Bb G#m
and I never said
E
I’d take this
B
I never said I'd
F# B F#/Bb
take this ly-ing-
Chorus:
G#m
-down She says
F# E
"come on come on let’s
G#m
just get this over with
F# E
She says "come on, come on
G#m
let’s just get this over with
F#
I never said I’d take this
E
lying down let's just
get this over with,
and I've crawled home
G#m F# E
from worse than this
(She says "come
on come on
let’s just get
this over with
She says
"come on come on")
Bridge:
G#m
You always come close
F#
but this never comes easy
E
I still know everything
G#m
You always come close
F#
but you never come easy
E
I still know everything
G#m
This always comes close
F#
but you never come easy
E
I still know everything
G#m F# E--
You always come so close
I still know everything I
still know everything
E B E B
I still know
Verse 3:
E
You always come close
but this never comes easy
B
You always come close
but you never come easy
E
You're coming in
B
I never said I'd
G#m F# G#m F# G#m F# E
take this lying down
I never said I'd
G#m F# G#m F# G#m F# E
take this lying down
but I've crawled
home from worse
G#m F# G#m F# G#m F# E
than this
If it's not keeping
G#m F# G#m F# G#m F# E
you up nights
E--
then what’s the point
then what’s the point
then what’s the point
then what’s the point
Outro:
G#m F#
I'm in your room
E
now is this turning you
on am I turning you on?
G#m
I'm in your room
F#
are you turned on?
E
I'm on the corner of
your bed I'm thinking
maybe are you turned on
G#m F# G#m F# G#m F# E(hold)
are you turned on?
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