Biography:
Mike Hadreas, also known as Perfume Genius is a singer/songwriter from Seattle, Washington, US. Perfume Genius began when he moved from New York to his mother's home in Everett, WA. In these relatively isolated conditions, Hadreas felt a compulsion to make music and began composing fragile yet brutally honest songs on the piano. By 2008 he had set up a MySpace page and began offering his music there, along with similarly spare and evocative homemade music videos.
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Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
3/4, Ab major, Capo 1
Without Capo:
G = Ab
C = Db
Em = Fm
D = Eb
If you want to play the piano part: (tabs ignoring capo)
e|---8-----8-----8-----8-----9-----9-----9-----9--------|
B|-----9-----9-----9-----9-----9-----9-----9-----9------|
G|-------8-----8-----8-----8-----10----10----10----10---|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|------------------------------------------------------|
Alternatively, the B, G, and D strings on the open G and D line up with these notes on
an octave lower than the original part. I play the high part for the verse and open chords
strummed once each for the chorus
[Intro]
G C
G C
[Verse 1]
G C
Even your going
G C
Let it find you
G C
Even in hiding
G C
Find it knows you
[Chorus]
Em D C
Rocking you to sleep
Em D G C
From the Otherside
G C
[Verse 2]
G C
Tethered by timing
G C
Let it undo
G C
Aimless and ripped
G
From the root
C
Binds you
[Chorus]
Em D C
Rocking you to sleep
Em D G D
From the Otherside
G C
(keep strumming your root C into Slip Away, Db without capo)
The first chorus is played without chords in the live version. The three notes before
the drop are the same as the G chord during the chorus (8-9-8), played where the D is played
during the second chorus. The drop is an alternation between G and C just like the verse, but
it sounds better as a long-held G if you arent singing the part at the same time.
Without Capo:
G = Ab
C = Db
Em = Fm
D = Eb
If you want to play the piano part: (tabs ignoring capo)
e|---8-----8-----8-----8-----9-----9-----9-----9--------|
B|-----9-----9-----9-----9-----9-----9-----9-----9------|
G|-------8-----8-----8-----8-----10----10----10----10---|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|------------------------------------------------------|
Alternatively, the B, G, and D strings on the open G and D line up with these notes on
an octave lower than the original part. I play the high part for the verse and open chords
strummed once each for the chorus
[Intro]
G C
G C
[Verse 1]
G C
Even your going
G C
Let it find you
G C
Even in hiding
G C
Find it knows you
[Chorus]
Em D C
Rocking you to sleep
Em D G C
From the Otherside
G C
[Verse 2]
G C
Tethered by timing
G C
Let it undo
G C
Aimless and ripped
G
From the root
C
Binds you
[Chorus]
Em D C
Rocking you to sleep
Em D G D
From the Otherside
G C
(keep strumming your root C into Slip Away, Db without capo)
The first chorus is played without chords in the live version. The three notes before
the drop are the same as the G chord during the chorus (8-9-8), played where the D is played
during the second chorus. The drop is an alternation between G and C just like the verse, but
it sounds better as a long-held G if you arent singing the part at the same time.
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