Biography:
Nathan Johnson is an American composer, musician and producer. He is also lead singer and director of The Cinematic Underground. In 2005 he earned acclaim by composing the score for the award-winning independent film Brick, which was written and directed by his cousin, Rian Johnson. Nathan then composed the score for Rian's second film, The Brothers Bloom, which was released in 2009. Rian and Nathan also write and record as The Preserves.
Performer/composer discography:
Read more on Last.fm
Other songs:
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Original recording tuned down 1/2 step
You can also play Cmaj7 instead of C
G C G C
G C G C
You came to me in the hospital ward when I blew out my knee
G C G Cm6 Cm
But I wasn't there to be cared for or carried
G C G C
'Cause I was asleep in my bed, in my house at the end of our street
G C G Cm6 Cm
While you drove across town at 3:00 in the morning
G Em6
It was fake for the sake
C B7 Em /D
Of making you take me for real
C Am G C G Cm6 Cm
But I guess you're even less impressed
G C G C
If the world is a stage, and we're all of us actors in some cosmic play
G C G Cm6 Cm
I am the man at the masquerade
G Em6
Who was fake for the sake
C B7 Em /D
Of making you take me for real
C Am B7
But I guess you're even less impressed
Em /D C B7 C
I keep trying to paint a picture
Em /D C /C /D /D#
'cause what I drew
Em C B7
Could be improved if I could make
Em /D C B7 C
You see more flame than flicker
Em /D C /C /D /D#
These half-truths
Em /D# /D /C#
Could be improved with less of me
C G C G Cm6 Cm G Em6/C# /C# /D /D#
And more you believe what I speak
Em /D# /D /C#
At least just keep
C G C /C /D /D# G
Speaking to me
You can also play Cmaj7 instead of C
G C G C
G C G C
You came to me in the hospital ward when I blew out my knee
G C G Cm6 Cm
But I wasn't there to be cared for or carried
G C G C
'Cause I was asleep in my bed, in my house at the end of our street
G C G Cm6 Cm
While you drove across town at 3:00 in the morning
G Em6
It was fake for the sake
C B7 Em /D
Of making you take me for real
C Am G C G Cm6 Cm
But I guess you're even less impressed
G C G C
If the world is a stage, and we're all of us actors in some cosmic play
G C G Cm6 Cm
I am the man at the masquerade
G Em6
Who was fake for the sake
C B7 Em /D
Of making you take me for real
C Am B7
But I guess you're even less impressed
Em /D C B7 C
I keep trying to paint a picture
Em /D C /C /D /D#
'cause what I drew
Em C B7
Could be improved if I could make
Em /D C B7 C
You see more flame than flicker
Em /D C /C /D /D#
These half-truths
Em /D# /D /C#
Could be improved with less of me
C G C G Cm6 Cm G Em6/C# /C# /D /D#
And more you believe what I speak
Em /D# /D /C#
At least just keep
C G C /C /D /D# G
Speaking to me
Nathan Peterson (...)
Nathan Picard An (...)
Nathan Reich
Nathan Rieger
Nathan Roberts