Biography:
Mary Lambert is good at two things: crying and eating. Nowhere is this better reflected than on her debut EP ‘letters don’t talk’ released in July of 2012. Burrowed away with her friends in the woods of Sequim, Washington recording with the production team of Dungeness Records, she spent 2 years finessing and crafting the poignant and earnest collection of songs. Resembling the subdued softness of artists like Feist and Bon Iver, Lambert has carved a niche for herself, winding profound lyricism around breathy, haunting melodies.
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A Db
You are Sanskrit on my skin.
F#m D E
Peel me open til I am nothing but a whisper.
A Db
Name yourself sinner, I only play for pennies,
F#m D
And I don't play for sinners, I play for sadness.
E
I play for dead things.
A E
Pull the bones from their sockets,
F#m D E
Please be softer while you do it for I am fragile and vacant.
A E
Sarasvati saw me to sleep.
F#m D E
I rested my head against the knees
A E
And the music I like rose up and down
F#m D
Like bobbing bodies in the river bend.
And they say,
A Db
You are Sanskrit on my skin.
F#m D E
Peel me open til I am nothing but a whisper.
A Db
Name yourself sinner, I only play for pennies,
F#m D
And I don't play for sinners, I play for sadness.
E
I play for dead things.
A E
Pull the bones from their sockets,
F#m D E
Please be softer while you do it for I am fragile and vacant.
A E
Sarasvati saw me to sleep.
F#m D E
I rested my head against the knees
A E
And the music I like rose up and down
F#m D
Like bobbing bodies in the river bend.
And they say,
A Db
Masatoshi Ono
Mash
Mashup
Mashup-germany
Maskavo