Biography:
Jill Andrews is an American singer-songwriter based in Nashville, Tennessee. She was a co-founder of indie folk/alt-country band The Everybodyfields, leaving in 2009 to pursue a solo career.
Andrews picked up a guitar for the first time when she was 19; armed with only three chords, she had all she needed to create deep and soulful songs with lonesome melodies and haunting lyrics.
In 2003, Andrews teamed up with Sam Quinn to create The Everybodyfields—it was an undeniable musical union.
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In the verse I've labled C * and B *. These are to indicate a single note walk-down picked on the on the
A string, followed by a down/up strum on the strings below it. So it might look something like ...
e|---0-0---0-0-------------|
B|---1-1---1-1-------------|
G|---2-2---2-2-------------|
D|---0-0---0-0-------------|
A|-3-----2-----------------|
E|-------------------------|
There is also a simple little hook that is sometimes played between verses.
e|-------0-----|
B|-------0-----|
G|-------0-----|
D|-2-0---0-----|
A|-------2-----|
E|-----3-3-----|
I have trouble singing it this high, so I transpose it -7 to play in C instead of G. If you do that, the
above two just move down 1 string. Kinda cool, right:
e|---0-0---0-0-------------|
B|---1-1---1-1-------------|
G|---0-0---0-0-------------|
D|-3-----2-----------------|
A|-------------------------|
E|-------------------------|
e|-------0--------|
B|-------1--------|
G|-2-0---0--------|
D|-------2--------|
A|-----3-3--------|
E|----------------|
[Verse]
G
Hold me up
C* B* D G
Because I think I've fallen to you
C* B* D
While you're fallin' out of love
G
With me
C* B* D
Like you said you'd never do
G
And was I crazy
C* B* D
To believe that it was true
[Chorus 1]
Em C G
And oh, God knows
C G
We've had a time
Em C G
Seeing what grows
C G
On a shriveled vine
[Verse]
G
Look me up
C* B* D
When you've had your space
G
When you're ready
C* B* D
To see my face
G
In a room
C* B* D
Where we both could be
G
Where somebody else
C* B* D
May be loving me
[Chorus 2]
Em C G
Would you ball up your hands?
C G
Would you clench your teeth?
Em C G
Would you walk away
C G
In disbelief?
Em G
Are you ready to leave?
[Bridge]
Em G
Are you ready to leave?
Em G
Are you ready to leave?
Em C G
Are you ready to ... walk ... away?
C G
Say goodbye
C G Em
Hear me cry out your name
G
You can go
C* B* D
Well, of course you can
G
But I swear
C* B* D
That these words will stand
G
Up to you
C* B* D
And your grandest plans
Em C G
You can't come back
C G
You can't come back
A string, followed by a down/up strum on the strings below it. So it might look something like ...
e|---0-0---0-0-------------|
B|---1-1---1-1-------------|
G|---2-2---2-2-------------|
D|---0-0---0-0-------------|
A|-3-----2-----------------|
E|-------------------------|
There is also a simple little hook that is sometimes played between verses.
e|-------0-----|
B|-------0-----|
G|-------0-----|
D|-2-0---0-----|
A|-------2-----|
E|-----3-3-----|
I have trouble singing it this high, so I transpose it -7 to play in C instead of G. If you do that, the
above two just move down 1 string. Kinda cool, right:
e|---0-0---0-0-------------|
B|---1-1---1-1-------------|
G|---0-0---0-0-------------|
D|-3-----2-----------------|
A|-------------------------|
E|-------------------------|
e|-------0--------|
B|-------1--------|
G|-2-0---0--------|
D|-------2--------|
A|-----3-3--------|
E|----------------|
[Verse]
G
Hold me up
C* B* D G
Because I think I've fallen to you
C* B* D
While you're fallin' out of love
G
With me
C* B* D
Like you said you'd never do
G
And was I crazy
C* B* D
To believe that it was true
[Chorus 1]
Em C G
And oh, God knows
C G
We've had a time
Em C G
Seeing what grows
C G
On a shriveled vine
[Verse]
G
Look me up
C* B* D
When you've had your space
G
When you're ready
C* B* D
To see my face
G
In a room
C* B* D
Where we both could be
G
Where somebody else
C* B* D
May be loving me
[Chorus 2]
Em C G
Would you ball up your hands?
C G
Would you clench your teeth?
Em C G
Would you walk away
C G
In disbelief?
Em G
Are you ready to leave?
[Bridge]
Em G
Are you ready to leave?
Em G
Are you ready to leave?
Em C G
Are you ready to ... walk ... away?
C G
Say goodbye
C G Em
Hear me cry out your name
G
You can go
C* B* D
Well, of course you can
G
But I swear
C* B* D
That these words will stand
G
Up to you
C* B* D
And your grandest plans
Em C G
You can't come back
C G
You can't come back
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