Biography:
Hayden is Paul Hayden Desser (born February 12, 1971), a Canadian singer-songwriter from Thornhill, Ontario. His early works are a largely eclectic mix of genres from grunge to alternative country, as demonstrated by his first full album, Everything I Long For, released in 1995. Since then his work has become progressively more refined.
Combining elements of both rock and folk music, along with disturbingly personal sentiments, dark humor, and a
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Other songs:
- Carried Away
- All In One Move
- Bad As They Seem
- Barely Friends
- Bass Song
- Blurry Nights
- Bullet
- Bunkbeds
- Damn This Feeling
- Dont Get Down
- Firtinam
- Half For Me
- Hardly
- Holster
- Home By Saturday
- I Should Have Been Watching You
- Ill Tell Him Tonight
- In September
- Just Give Me A Name
- Lets Break Up
- Long Way Down
- Looking Back To Me
- Looking For You In Me
- Lullaby
- Middle Of July
- More Than Alive
- Motel
- My Parents House
- Never Lonely
- No Happy Birthday
- Nowhere We Cannot Go
- Pots And Pans
- Rainy Saturday
- Robbed Blind
- Roll Down That Wave
- Sioux City
- Skates
- Stride
- Take
- Trees Lounge
- We Dont Mind
- Weight Of The World
- When This Is Over
- Where And When
- Winter Trip
- Woody
- Worthy Of Your Esteem
- You Were Loved
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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
we don't mind -- hayden
[email protected]
Tune down a whole step.
Dm9 A# C F Fsus2
D|--0----0----2----3----3-|
A|--3----1----3----3----3-|
F|--0----0----2----0----0-|
C|--4----2----0----0----0-|
G|--5----3----0----2----0-|
D|--x----3----x----3----2-|
Intro: Dm9 A# x2
A# C F Fsus2 A#
It was a tuesday morn in november
I slept at your house the night before
We couldn't wait to get up to go for
The big breakfast in an old fashioned diner
A full meal six coffee refills later
We both have to be at work in an hour
Let's call in sick I suggest to her
I'll call your boss and tell her that you're under
The weather you'll call mine you will tell her
That I'm very sick and that you're my mother
Dm9 A#
so we walked down the street
lookin' for a phonebooth we
rehearse what we're going to say
so that we can have this day
away
A# C F Fsus2 A#
We find a phonebooth with room for two
I call your boss and I don't speak the truth
They're pretty mad about you but they'll get through
You call my work in my mother's voice they believe you
Dm9 A#
and it starts to rain outside
in our phonebooth we hide
it doesn't let up until five
squished together we don't mind
we don't mind
There are some really obvious hammerons/pulloffs throughout, listen to
the album to find out where they fit.
corrections welcome.
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
we don't mind -- hayden
[email protected]
Tune down a whole step.
Dm9 A# C F Fsus2
D|--0----0----2----3----3-|
A|--3----1----3----3----3-|
F|--0----0----2----0----0-|
C|--4----2----0----0----0-|
G|--5----3----0----2----0-|
D|--x----3----x----3----2-|
Intro: Dm9 A# x2
A# C F Fsus2 A#
It was a tuesday morn in november
I slept at your house the night before
We couldn't wait to get up to go for
The big breakfast in an old fashioned diner
A full meal six coffee refills later
We both have to be at work in an hour
Let's call in sick I suggest to her
I'll call your boss and tell her that you're under
The weather you'll call mine you will tell her
That I'm very sick and that you're my mother
Dm9 A#
so we walked down the street
lookin' for a phonebooth we
rehearse what we're going to say
so that we can have this day
away
A# C F Fsus2 A#
We find a phonebooth with room for two
I call your boss and I don't speak the truth
They're pretty mad about you but they'll get through
You call my work in my mother's voice they believe you
Dm9 A#
and it starts to rain outside
in our phonebooth we hide
it doesn't let up until five
squished together we don't mind
we don't mind
There are some really obvious hammerons/pulloffs throughout, listen to
the album to find out where they fit.
corrections welcome.
Hayward
Hazel English
Hazel O Connor
Hazy Nights
He Is We