Biography:
Harvey Danger was an alternative rock band that formed in Seattle, Washington in 1992 and rose to prominence in 1998 with the iconic single "Flagpole Sitta". Released from their debut album, 'Where Have All The Merrymakers Gone?', the song helped the group build its college radio fan-base. The band released their last album in 2005, 'Little by Little' (also known as 'Little by Little...'), after the five year hiatus that followed the release of their sophomore album, 'King James Version'.
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Other songs:
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Ear-transcribed in about twenty minutes. Sounds right-ish; hopefully will be of some
help to those of you playing this lovely song.
Capo on 2
Esus G6 F#m7
Da da da da da da da da da da dah
B Badd9 Bsus
B
You can bash your head against a wall for years,
F#
The wall is not impressed.
B Badd9 Bsus
B
Or you can take a giant step away only to discover,
F#
Your wound's already dressed.
E F# B E
It's not hard to see a beautiful girl,
E F# B
E
And imagine the life that you could have with her.
E
But you can't bend time,
F#
nor bind it up with twine.
B
You can try, try,
E
you'll never read her mind.
E
Which is fine, fine,
F# B Badd9 B
'Cause she cannot read yours.
B Badd9 Bsus
B
You treat me worse than you treat any stranger.
F#
For my part, I say thanks.
(And you say you’re welcome)
B Badd9 Bsus B
I am like a cobblestone street, And you,
F#
you're like 50 Sherman tanks.
(That’s a lot of Sherman tanks)
E F#
Roll right over me,
B E
Reduce me to rubble.
E F#
I am Monsieur Bovary,
B E
and you are Madame Trouble.
E F#
So much that what we so grandly call love,
B E
is simply in our heads.
E
How many doors slammed closed,
F#
And stepped-on toes,
B
And songs composed,
E
And poems and prose,
E F# G6
About things we've heard in words nobody said.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6
The show must not go on.
F#m7 Esus
Not go on. Not go on.
Esus
Da dah dah dah
G6
dah dah dah dah dah
F#m7 B
dah dah da
B Badd9 Bsus
B
You can bash your head against a wall forever,
F#
The wall will never change.
B Badd9 Bsus B
But if you start to like the bloody bruises,
F#
The wall cannot be blamed.
E F#
I try to make it seem
B E
like I'm over you.
E F# B
E
The blindest man alive can see: It simply isn't true.
E F#
Love only lasts as long as it lasts
B
Goes as far as it goes,
E
and it goes pretty goddamn fast.
E
Sometimes love is fun.
F#
Sometimes burdensome.
B
Sometimes hard up.
E
Sometimes hard won.
F# G6
But you only miss it if it's gone.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6
The show must not go on.
F#m7 Esus
Not go on. Not go on.
Esus
Da dah dah dah
G6
dah dah dah dah dah
F#m7 B
dah dah da
help to those of you playing this lovely song.
Capo on 2
Esus G6 F#m7
Da da da da da da da da da da dah
B Badd9 Bsus
B
You can bash your head against a wall for years,
F#
The wall is not impressed.
B Badd9 Bsus
B
Or you can take a giant step away only to discover,
F#
Your wound's already dressed.
E F# B E
It's not hard to see a beautiful girl,
E F# B
E
And imagine the life that you could have with her.
E
But you can't bend time,
F#
nor bind it up with twine.
B
You can try, try,
E
you'll never read her mind.
E
Which is fine, fine,
F# B Badd9 B
'Cause she cannot read yours.
B Badd9 Bsus
B
You treat me worse than you treat any stranger.
F#
For my part, I say thanks.
(And you say you’re welcome)
B Badd9 Bsus B
I am like a cobblestone street, And you,
F#
you're like 50 Sherman tanks.
(That’s a lot of Sherman tanks)
E F#
Roll right over me,
B E
Reduce me to rubble.
E F#
I am Monsieur Bovary,
B E
and you are Madame Trouble.
E F#
So much that what we so grandly call love,
B E
is simply in our heads.
E
How many doors slammed closed,
F#
And stepped-on toes,
B
And songs composed,
E
And poems and prose,
E F# G6
About things we've heard in words nobody said.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6
The show must not go on.
F#m7 Esus
Not go on. Not go on.
Esus
Da dah dah dah
G6
dah dah dah dah dah
F#m7 B
dah dah da
B Badd9 Bsus
B
You can bash your head against a wall forever,
F#
The wall will never change.
B Badd9 Bsus B
But if you start to like the bloody bruises,
F#
The wall cannot be blamed.
E F#
I try to make it seem
B E
like I'm over you.
E F# B
E
The blindest man alive can see: It simply isn't true.
E F#
Love only lasts as long as it lasts
B
Goes as far as it goes,
E
and it goes pretty goddamn fast.
E
Sometimes love is fun.
F#
Sometimes burdensome.
B
Sometimes hard up.
E
Sometimes hard won.
F# G6
But you only miss it if it's gone.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6 F#m7
The show must not go on.
Esus
The show must not, the show must not,
G6
The show must not go on.
F#m7 Esus
Not go on. Not go on.
Esus
Da dah dah dah
G6
dah dah dah dah dah
F#m7 B
dah dah da
Hatsune Miku
Have Mercy
Hawaiian Folk
Hawaiian Music
Hawk Nelson