Biography:
Amelia "Milly" Toomey was born on 6 December 1997 in North London. She began her solo career in 2014, choosing a stage name inspired by Blondie, with an attention-catching aesthetic that was part cyberpunk and part J-Pop. She struck out on her own, performing at all the local open mic nights that she could find, which eventually caught the attention of BBC Radio 1. Her inventive sound combined the futuristic pop of Charli XCX, the cheek of Lily Allen, the attitude of M.I.A., and the genre-blurring tendencies of Grimes.
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Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
[Verse 1]
C
take off my clothes and it's me underneath them
this is full time not just me on the weekend
tell me my words you don't like i'll repeat them
F
i'll repeat them
[Pre-hook]
C
walk in the room there it is it's that look again
Dm
like who the fuck is this bitch what's she thinking and
F
what is that shoes top and skirt combination
G
that shoes top and skirt combination
[Hook]
C F
no, no, no, no
C F
no, no, no, no
C F
no, no, no, no
C G
i i i i i'm
C
i'm really sorry that i'm not the girl
Dm
who would give the world
just to be your girl
uh oh
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
Dm
i'm really sorry if my dirty tights
make you think that you're gonna score tonight
hell no
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
C
[Verse 2]
C
don't you think you would look nicer with brown hair?
when you have children they'll sit in their high chair
look at their mummy and see the disaster
F
don't you forget that appearances matter
[Pre-hook]
C
walk in the room no surprise it's that look again
Dm
like who the fuck is this bitch what's she thinking and
F
what is that shoes top and skirt combination
G
that shoes top and skirt combination
[Hook]
C F
no, no, no, no
C F
no, no, no, no
C F
no, no, no, no
C G
i i i i i'm
Dm
i'm really sorry that i'm not the girl
who would give the world
just to be your girl
uh oh
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
Dm
i'm really sorry if my dirty tights
make you think that you're gonna score tonight
hell no
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
C
take off my clothes and it's me underneath them
this is full time not just me on the weekend
tell me my words you don't like i'll repeat them
F
i'll repeat them
[Pre-hook]
C
walk in the room there it is it's that look again
Dm
like who the fuck is this bitch what's she thinking and
F
what is that shoes top and skirt combination
G
that shoes top and skirt combination
[Hook]
C F
no, no, no, no
C F
no, no, no, no
C F
no, no, no, no
C G
i i i i i'm
C
i'm really sorry that i'm not the girl
Dm
who would give the world
just to be your girl
uh oh
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
Dm
i'm really sorry if my dirty tights
make you think that you're gonna score tonight
hell no
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
C
[Verse 2]
C
don't you think you would look nicer with brown hair?
when you have children they'll sit in their high chair
look at their mummy and see the disaster
F
don't you forget that appearances matter
[Pre-hook]
C
walk in the room no surprise it's that look again
Dm
like who the fuck is this bitch what's she thinking and
F
what is that shoes top and skirt combination
G
that shoes top and skirt combination
[Hook]
C F
no, no, no, no
C F
no, no, no, no
C F
no, no, no, no
C G
i i i i i'm
Dm
i'm really sorry that i'm not the girl
who would give the world
just to be your girl
uh oh
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
Dm
i'm really sorry if my dirty tights
make you think that you're gonna score tonight
hell no
F
it's kinda funny that you're on your own
G
it's kinda funny that you're even asking me
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