Welcome To The Room Sara by Fleetwood Mac, tabs and chords at PlayUkuleleNET

Welcome To The Room Sara

Biography:

Fleetwood Mac is a British-American rock band, formed in London in 1967. Fleetwood Mac was founded by guitarist Peter Green, drummer Mick Fleetwood and guitarist Jeremy Spencer, before bassist John McVie joined the lineup for their self-titled debut album. Danny Kirwan joined as a third guitarist in 1968. Keyboardist Christine Perfect (later known as Christine McVie), who contributed as a session musician from the second album, married McVie and joined in 1970.

Read more on Last.fm

Other songs:

Share this tab

Four years of hard work!

This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!

---------------------------------------------------------------------------
Welcome to the Room ... Sara – Fleetwood Mac
---------------------------------------------------------------------------
Tabbed by: maguri
Tuning: Standard

Fleetwood Mac
Welcome to the Room ... Sara (1987)
(Nicks)

From: “Tango in the Night”

The recording is a little sharp. To play along to the original, you’ll
have to tune up.

---------------------------------------------------------------------------
CHORDS

E-A-D-G-B-e
Asus2 x-0-2-2-0-0
A5 x-0-2-2-x-x
G6add9 3-x-0-2-0-0
Asus2/F# 2-x-2-2-0-0
B5 x-2-4-4-x-x
C#5 x-4-6-6-x-x
D5 x-5-7-7-x-x

---------------------------------------------------------------------------

INTRO
| A Asus2 | A5 | A Asus2 | A5 |
| G6add9 | % | Asus2/F# | % |

VERSE
E
It's not home
F#
And it's not Tara
E G#m
In fact, do I know you
F# [E]
Have I been here before
E
This is a dream, right
G#m F#
Deja Vu
E G#m
Did I come here on my own
F#
Oh I see

CHORUS
| A Asus2 | A5 | | A Asus2 | A5 |
Welcome to the room Sara for Scarlett
G6add9 Asus2/F#
Welcome to the choir, sir

VERSE
E
Ooooh
F#
Missionary
E G#m
Well, I will be different
F#
When I get back
E G#m
And you can take all of the credit
F# E
You say everything's fine, baby
G#m F#
But sometimes at night

CHORUS
| A Asus2 | A5 | | A Asus2 | A5 |
Where the first cut is the deepest one of all
G6add9 Asus2/F#
(Scarlett) The first cut is the deepest one of all - And the second one
| A Asus2 | A5 |
Well it's a worthless thing, so
| A Asus2 | A5 | G6add9 Asus2/F#
Take it aaa-aaall the way back home, take it home

MIDDLE 8
B5 C#5 D5 B5
Ooh, downstairs where the big old house is mine
C#5 D5
Ohh, upstairs where the stars laugh and shine
B5 C#5 D5
Oh, oh well I thought that you were mine
E E | E | % |
Well I thought that you were mine (thought that you were mine)

CHORUS (coda)
| A Asus2 | A5 | A Asus2 | A5 |
Welcome to the room Sara, Sara (for Scarlett)
G6add9
Welcome to the choir, sir
Asus2/F#
Well of course it was a problem (for Scarlett)
| A Asus2 | A5 |
Front line baby
| A Asus2 | A5 |
Well you held her prisoner and after all these years
G6add9
Well, as well as you knew her (Welcome ...)
Asus2/F# | A Asus2 | A5 |
In the never forgotten words of another one of your friends
| A Asus2 | A5 | G6add9
In the never forgotten words of another one of your friends, baby
Asus2/F# | A Asus2 | A5 |
When you hang up that phone, well you cease to exist
| A Asus2 | A5 |
Welcome to the room Sara
G6add9
Welcome ...

(fade out)