Biography:
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter from Indiana. His works include the musical comedies Kiss Me, Kate (1948) (based on Shakespeare's The Taming of the Shrew), Fifty Million Frenchmen and Anything Goes, as well as songs like "Night and Day", "I Get a Kick Out of You" and "I've Got You Under My Skin". He was noted for his sophisticated (sometimes ribald) lyrics, clever rhymes, and complex forms. He was one of the greatest half-dozen contributors to the Great American Songbook.
Read more on Last.fm
Other songs:
- All Of You
- Éasy To Love
- I Love Paris
- Let's Do It, Let's Fall In Love
- Miss Otis Regrets
- Anything Goes
- Anything Goes Medley
- Begin The Beguine
- Dont Fence Me In
- Easy To Love
- Every Time We Say Goodbye
- Evry Time We Say Goodbye
- Friendship
- Im In Love Again
- Ive Got You Under My Skin
- Just One Of Those Things
- Lets Do It Lets Fall In Love
- Lets Misbehave
- Makin Whoopee
- Night And Day
- So In Love
- Take A Ride
- The Physician
- The Trailer Song
- Wunderbar
- Youre The Top
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Great jazz standard. Was asked for the chords so here they are.
For the downward progression in the line "Whether near to me or far, etc." I'd
recommend starting with the Gbm7b5 up around the 9th fret. As opposed to way down
on the 2nd and then switching when you go to the Ebdim7. But that probably goes without saying.
Leading into the Dm7b5 with a Dbm7b5 works quite nicely. Or a Dbdim7. Also cool.
Oh, and I think I play a G13 more often than I play a straight G7. Just sounds a little better.
Cmaj7 x35453
Dm7 x57565
Dm7b5 x5656x
Ebmaj7 x68786
Ebdim7 x67575
Em7 x79787
Fm7 x8(10)898
Gbm7b5 x9(10)9(10)x
G7 3x343x
G13 3x345x
Dm7b5 G7 Cmaj7
Night and day you are the one
Dm7b5 G7 Cmaj7
Only you beneath the moon or under the sun
Gbm7b5 Fm7 Em7 Ebdim7
Whether near to me or far it's no matter darling where you are
Dm7 G7 Cmaj7
I think of you day and night
Dm7b5 G7 Cmaj7
Night and day why is it so
Dm7b5 G7 Cmaj7
That this longing for you follows wherever I go
Gbm7b5 Fm7 Em7 Ebdim7
In the roaring traffic's boom in the silence of my lonely room
Dm7 G7 Cmaj7
I think of you day and night
Ebmaj7 Cmaj7
Night and day under the hide of me
Ebmaj7 Cmaj7
There's an oh such a hungry yearning burning inside of me
Gbm7b5 Fm7
And this torment won't be through
Em7 Ebdim7 Dm7
Until you let me spend my life making love to you
G7 Cmaj7
Day and night
For the downward progression in the line "Whether near to me or far, etc." I'd
recommend starting with the Gbm7b5 up around the 9th fret. As opposed to way down
on the 2nd and then switching when you go to the Ebdim7. But that probably goes without saying.
Leading into the Dm7b5 with a Dbm7b5 works quite nicely. Or a Dbdim7. Also cool.
Oh, and I think I play a G13 more often than I play a straight G7. Just sounds a little better.
Cmaj7 x35453
Dm7 x57565
Dm7b5 x5656x
Ebmaj7 x68786
Ebdim7 x67575
Em7 x79787
Fm7 x8(10)898
Gbm7b5 x9(10)9(10)x
G7 3x343x
G13 3x345x
Dm7b5 G7 Cmaj7
Night and day you are the one
Dm7b5 G7 Cmaj7
Only you beneath the moon or under the sun
Gbm7b5 Fm7 Em7 Ebdim7
Whether near to me or far it's no matter darling where you are
Dm7 G7 Cmaj7
I think of you day and night
Dm7b5 G7 Cmaj7
Night and day why is it so
Dm7b5 G7 Cmaj7
That this longing for you follows wherever I go
Gbm7b5 Fm7 Em7 Ebdim7
In the roaring traffic's boom in the silence of my lonely room
Dm7 G7 Cmaj7
I think of you day and night
Ebmaj7 Cmaj7
Night and day under the hide of me
Ebmaj7 Cmaj7
There's an oh such a hungry yearning burning inside of me
Gbm7b5 Fm7
And this torment won't be through
Em7 Ebdim7 Dm7
Until you let me spend my life making love to you
G7 Cmaj7
Day and night
Colin Meloy
Collective Soul
Colleen Ballinge (...)
Colombiano Tradi (...)
Colonel Reyes